An entertaining literary work with realistic characters.
In Harris’ debut novel, a dutiful son wants to make an honest success of his father’s auto parts business—but the mob may still be pulling strings behind the scenes.
Thirty-something Larry Levine has worked at his dad Big Moe’s Public Auto Parts in New York City since he was in college. All of a sudden, Big Moe decides to retire to Florida, leaving Larry holding a mostly empty bag. His dad not only left with most of the company’s funds—he also left a lot of questions unanswered. For example, Larry wonders about the mob’s connection to Public Parts when a sinister gentleman named Carmine lets Larry know that he’s not his own man but an owned man. Moreover, Larry finds out about the supposedly accidental death of mobster Abe Reles 30 years before; the man fell to his death just as he was about to rat out several other criminals. Does that fact have something to do with why Moe decamped so hastily? What’s in the wind all these years later? Although Larry is desperate for answers, the old man is as cagey as ever. Then Larry meets Ann Riordan, with whom he falls instantly and hopelessly in love—even though he’s a semihappily married man. Despite the turmoil caused by their relationship, Ann is also, as Larry’s executive assistant, the best thing to ever happen to Public Parts. The climax of the book is Larry’s trial after he’s framed for arson, receiving stolen goods, and other crimes. How did he get into such a mess? Eventually, Big Moe—a widower whose health is failing fast—comes clean, to a degree, about what happened way back in 1941. This is a very impressive debut, and although its nearly 600-page length may be daunting to some, it is, in fact, a brisk and straightforward read. The book doesn’t focus on a huge cast—just Larry, the narrator, trying to reform Public Parts while dealing with his feelings for Ann and hers for him. These are, for the most part, well-rounded characters, precisely because Harris takes his time to develop them. Ann is shown to be competent, enigmatic, and eerily perceptive; Big Moe could have easily been a one-note character, but his love and care for his only son show him to have some depth. Larry’s wife, Laurie, is a study in exasperation, but she’s also there when the chips are down. The dialogue is crackling and sly, and the long trial section, featuring the colorful Bernie “the Attorney” Schwartz, is priceless. The novel also offers an intriguing hybrid of real and fictional characters. Reles, Meyer Lansky, Lepke Buchalter, and others are actual mob figures, but their stories mesh well with those of invented characters, including the Levines; Ann; the perky Dawn Sanders, who helps Ann out around the office; and the vengeful Detective John Mannion. Indeed, by the end of the novel, readers will find that the made-up characters feel like living, breathing people, as well.
An entertaining literary work with realistic characters.Pub Date: Sept. 30, 2015
ISBN: 978-1-5144-0600-7
Page Count: 598
Publisher: Xlibris
Review Posted Online: Aug. 30, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Review Program: Kirkus Indie
A good detective in an incendiary procedural.
A Yorkshire detective untangles an old murder and new arsons.
DS Adam Tyler, a cold-case investigator for the South Yorkshire Police, is a bit of a loner, but his boss wants him to network more so he lets Sally-Ann, one of his civilian colleagues, talk him into joining a pub evening with the South Yorkshire Police LGBT Support Network. He doesn't plan to stay long, and when he meets a handsome man at the bar—"Sweetheart, he was everyone's type. Even mine," Sally-Ann says—he abandons the group to go home with him. The next morning, when he gets to work, Sally-Ann tells him there's big news: The body of Gerald Cartwright, a local tycoon and shady character who disappeared years ago, has been found in the basement of his own house during a renovation ordered by his 21-year-old son, who'd just inherited it. Tyler manages to get himself assigned to the investigation though the detective who's been working on it since Cartwright's disappearance doesn't want to hand it over to cold cases; he soon discovers the identity of his one-night stand: Oscar Cartwright, son of the deceased and potential suspect, which further complicates his position. Meanwhile, Edna and Lily, elderly Cartwright retainers of various duties, have begun receiving unsettling anonymous letters, and the whole community is rattled by a series of arsons that seem more and more likely to be related to the discovery of Cartwright's body. As Tyler's investigation slowly uncovers a sordid history of manipulation and abuse, the violence increases and he is assaulted several times. The repetitive nature of these assaults is a weakness in the book, but the richness of Tyler's character and the vividness of his negotiation of his own sexuality and the casual bigotry in his community are effective. The subsidiary characters are lively and believable, the arsons are particularly well described, and though the plot sometimes seems gratuitously complex, this is a rewarding entertainment.
A good detective in an incendiary procedural.Pub Date: Feb. 25, 2020
ISBN: 978-0-525-54202-5
Page Count: 368
Publisher: Putnam
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
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