Intelligent reading well suited to this moment.
A writer and English professor explores the “uncomfortable truths” of what it means to be a White, middle-class man in 21st-century America.
Speaking from the perspective of middle age, Franklin boldly confronts the “delusional thinking” he views as “killing us softly, one narcissistic fairy tale at a time.” He does so through 12 essays that muse on the many self-deceptions in which he and countless Americans have engaged. The author begins by examining his role as a father through the game of toy soldiers he sometimes plays with his three sons. The game appears to be a harmless bonding activity, but as Franklin suggests, it also speaks to the way “masculinity and mayhem” are inextricably intertwined in American culture. The author observes that the same ready acceptance of surface truth has also characterized his view of class issues. While he was a poor graduate student in southeastern Ohio, he donated plasma for money and saw a connection between himself and the poverty-stricken miners in neighboring communities who did the same. Deeper interrogation forced Franklin to realize that his situation was temporary while the coal miners’ situation was not. Ultimately, he was as equally deluded about the “relative ease of social mobility” as he was clueless about “the challenges of systemic poverty.” Later in the book, Franklin probes how the continued existence of color lines in America means that he will always see young Black men like Trayvon Martin as different from his sons and that this difference will always preclude the “shared vulnerabilities” that make empathy possible. The best he can do is teach his sons to “embrace the humility and compassion necessary to get to know boys like Trayvon Martin.” Wise and humane, Franklin’s book offers a timely, socially relevant portrait of the struggles facing thoughtful citizens seeking to create a more just society for every American.
Intelligent reading well suited to this moment.Pub Date: Oct. 1, 2020
ISBN: 978-1-4962-1210-8
Page Count: 216
Publisher: Univ. of Nebraska
Review Posted Online: July 30, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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