Intelligent reading well suited to this moment.
A writer and English professor explores the “uncomfortable truths” of what it means to be a White, middle-class man in 21st-century America.
Speaking from the perspective of middle age, Franklin boldly confronts the “delusional thinking” he views as “killing us softly, one narcissistic fairy tale at a time.” He does so through 12 essays that muse on the many self-deceptions in which he and countless Americans have engaged. The author begins by examining his role as a father through the game of toy soldiers he sometimes plays with his three sons. The game appears to be a harmless bonding activity, but as Franklin suggests, it also speaks to the way “masculinity and mayhem” are inextricably intertwined in American culture. The author observes that the same ready acceptance of surface truth has also characterized his view of class issues. While he was a poor graduate student in southeastern Ohio, he donated plasma for money and saw a connection between himself and the poverty-stricken miners in neighboring communities who did the same. Deeper interrogation forced Franklin to realize that his situation was temporary while the coal miners’ situation was not. Ultimately, he was as equally deluded about the “relative ease of social mobility” as he was clueless about “the challenges of systemic poverty.” Later in the book, Franklin probes how the continued existence of color lines in America means that he will always see young Black men like Trayvon Martin as different from his sons and that this difference will always preclude the “shared vulnerabilities” that make empathy possible. The best he can do is teach his sons to “embrace the humility and compassion necessary to get to know boys like Trayvon Martin.” Wise and humane, Franklin’s book offers a timely, socially relevant portrait of the struggles facing thoughtful citizens seeking to create a more just society for every American.
Intelligent reading well suited to this moment.Pub Date: Oct. 1, 2020
ISBN: 978-1-4962-1210-8
Page Count: 216
Publisher: Univ. of Nebraska
Review Posted Online: July 30, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
An unflinching self-portrait.
The tumultuous life of a bisexual, autistic comic.
In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.
An unflinching self-portrait.Pub Date: June 6, 2023
ISBN: 9780593582503
Page Count: 288
Publisher: Harmony
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
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