A complex but diverting whodunit.
In this thriller, a British author realizes that some recent homicides are comparable to the ones in his latest novel.
Kenneth Sorin is a former medicinal chemistry research scientist who’s successfully transitioned to a writing career. He consequently has no time to work as an “amateur detective” and assist his Uncle Ash, an inspector. But Ash’s newest case has all the makings of a fictional murder mystery. A serial killer is murdering local female university students with a modus operandi that includes removing the left eye and replacing it with an emerald. In fact, these homicides share similarities with Kenneth’s manuscript, tentatively titled Mr. Maniac, including that the fictional victims’ initials in the book are the same as those of the dead students. A doctor diagnosed Kenneth with schizoid personality disorder at the age of 17. Unlike schizophrenia, people with this disorder don’t lose touch with reality. Still, after Kenneth receives a phone call from a woman who, it turns out, died a decade ago, he suspects that he actually may be the killer. He searches for patterns among the homicides and victims to unmask the true murderer and soon believes someone is watching him or possibly breaking into his house. Fundin’s (Disorder, 2019) entertaining tale offers several intriguing subplots. One features store owner Philip Worthington, a suspect in at least two of the murders, whose wife, Amy, has caught on to his philandering. These storylines help maintain a persistent momentum as well as bolster the mystery, especially when a subplot’s relevance to the main tale isn’t immediately apparent. Nice touches along the way enliven the story: Kenneth’s romantic interest, Jeanne Russell, is harboring a secret, and he has dealings with SCDX, an enigmatic police branch that’s so covert no one knows the acronym’s meaning. As the narrative advances, the protagonist puts together a theory on the killer’s method that’s surprisingly complicated. This fuels a final act that’s primarily Kenneth’s elucidations, and though it runs too long, it’s comprehensible and ultimately satisfying.
A complex but diverting whodunit.Pub Date: Nov. 26, 2019
ISBN: 978-1-9999817-2-3
Page Count: 364
Publisher: Asioni Press
Review Posted Online: Nov. 9, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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