An unsettling and melancholy dreamscape that leans more on aesthetics than on plot.
A young woman goes to work as a housekeeper at a hotel that remains curiously without guests in this disquieting and elegiac novel from a Swedish writer.
Rafaela, the first-person narrator, grew up near the sea, and she never dreamed of taking a job in the mountain town of Strega, but after her mother comes across the Olympic Hotel's want ad for "nine maids for the winter season," she applies for a position out of a sense of duty. She soon finds herself in the beautiful and desolate hotel—alone except for her fellow seasonal hires and three members of the permanent staff. The new girls are rigorously trained in hospitality and hotel upkeep and given strange lectures on servile womanhood, electricity, and the nuns living at a nearby convent, but days and then weeks go by without anyone ever renting a room. Lykke Holm builds a sense of aimless unease as the housekeepers inure themselves to days of seemingly senseless work and harsh punishment from their managers, and Rafaela falls into a homoerotic friendship with a fellow maid. Right as the tension begins to tilt toward tediousness, a local holiday brings strangers to the Olympic for a party, and one of the maids disappears. The search for Cassie and grief over her disappearance form an interesting engine for the latter half of the book—as do Rafaela’s musings on women’s bodies as inevitable crime scenes—but the persistent ambiguity about what is and isn’t real occasionally feels like indecisiveness on the part of the author and prevents it from satisfying as a mystery. Lykke Holm’s prose—full of litanies of strange and striking imagery—is, without a doubt, the book's greatest strength.
An unsettling and melancholy dreamscape that leans more on aesthetics than on plot.Pub Date: Nov. 1, 2022
ISBN: 978-0-593-53967-5
Page Count: 208
Publisher: Riverhead
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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