A sometimes rollicking, sometimes tragedy-tinged novel about a not-so-innocent abroad.
A stylish and often surprising American-expatriate novel for the not-quite–post-colonial age—and a portrait of Ukraine in the run-up to Russia's 2022 assault.
It's 2018. John Turner, just turned 30, has suffered both a romantic breakup and the death of his father. A college friend calls with a ridiculous-sounding opportunity: Might he move to western Ukraine to train call-center reps in idiomatic American English? Despite having no contacts and no experience with either the Ukrainian or the Russian languages, John takes the plunge. He foresees a chance to rebuild himself, part monastic retreat, part grand adventure. It turns out that the reps most need a crash course in chipper American small talk, which they find baffling, and the effort to provide this brings John closer to them; despite his determination not to succumb to morally dubious cliché, he struggles against a crush on one, Natalia, and befriends another, with whom he trains in boxing. John’s effort also provides Lichtman an opportunity to reflect on cultural differences, on the twilight of the so-called American Age... and on the damage peculiar to the representative of empire who is sheepish, guilty, exquisitely sensitive, and determined to make everyone agree that he has no imperial intent. Perhaps most impressive is Lichtman's high-wire act of tone. In the book's first half, John is largely an earnest goof, well meaning and bewildered. But when a comic figure like that is set down in a country inured to tragedy—and as the undeclared Russian war worsens and a comic actor is elected to the Ukrainian presidency—it becomes clear that John's misunderstandings and awkwardnesses, his accidents of language (when he panics, he tends to blurt out a phrase that means "have sex with me"), can't stay mere fish-out-of-water humor. In places like Ukraine, comedy is backed with consequence. John keeps overhearing neighbors fighting—a suffering woman, her brutal spouse—and can't decide what to do. Call the police? Intervene himself? Can domestic violence be a cultural difference?
A sometimes rollicking, sometimes tragedy-tinged novel about a not-so-innocent abroad.Pub Date: April 11, 2023
ISBN: 9781982156817
Page Count: 240
Publisher: Marysue Rucci Books
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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