Rowe (The Gingerbread Man, 1996, etc.) presents another delightfully eccentric character from his bestiary: an old storytelling rat named Smudge, who recalls his childhood abduction by a bird. Back at the nest, after a brief stint as a beak buffer, he becomes part of the family, learning to chirp and ``even thought about laying an egg.'' But the birds fly off and he is snatched by a dog. The dogs run off—he is too slow—and his next forced domicile is a rabbit hutch. They bound off, and Smudge's hopping can't compare. So it goes with fish and squirrels: Smudge is first used by his captor, then abandoned when he can't mimic his abductor's most salient attribute. At last, glory be, he is whisked off by a brown rat with a big smile: Mom. Rowe replays the to-thine-own-self-be-true theme with a combination of drollery and piquancy, with artwork that is dauntingly emotional: Sometimes Smudge is diminutive, looking highly vulnerable and far away; at other times readers are right there in the dark-toned illustrations, holding Smudge's hand, sharing his journey toward home. (Picture book. 5-8)
Pub Date: Oct. 15, 1997
ISBN: 1-55858-788-8
Page Count: 32
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1997
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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