by John B. Keane ‧ RELEASE DATE: Oct. 12, 1992
Poverty and the Church-led attack on Celtic traditions force 1950's Irish farmers into exile—in a rich, poignant if occasionally heavy-handed novel (first published in 1986 in Ireland) from Keane, who writes a column for the New York-based Irish Echo. In rural Dirrabeg, farmers work hard cutting turf and raising a couple of cows or pigs, but it's not easy keeping up much less getting ahead, especially when relatives are in desperate need—but as Donal Hallapy reassures his wife before taking hard-to-spare fuel and groceries to his sister and her children, ``We never died a winter yet.'' One bright spot in the year is the ``Wren'': stepdancers and musicians—including Donal, who plays the traditional goatskin drum, the ``bodhr†n''—travel around in costume collecting contributions that pay for an all-night ``wrendance.'' The authoritarian parish priest in the town of Trallock, however, considers the wrendancers not just drunker pagans but competitors for money and loyalty; he resolves to crush the old customs—as well as an excellent but unorthodox rural teacher and a couple of budding romances between single men and married (though long-abandoned) women. What ensues is not only a struggle between Catholic and pagan but also between classes, between town and country. Trallock emerges as an oppressive place without privacy or compassion. Ultimately, ironically, villagers like Hallapy—as well as sympathetic priests—find their only chance for dignity in emigration to the enemy country, England. A thorough, pained, loving account of a lost world—with the novel itself an act of cultural survival.
Pub Date: Oct. 12, 1992
ISBN: 0-941423-80-8
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
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by Toni Morrison ‧ RELEASE DATE: Sept. 16, 1987
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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by Toni Morrison edited by David Carrasco Stephanie Paulsell Mara Willard
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Genki Kawamura ; translated by Eric Selland ‧ RELEASE DATE: March 12, 2019
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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