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Shape, Shine and Shadow

THE SEQUEL TO EASTER, SMOKE AND MIRRORS

An IRA protagonist perhaps too smart for his pursuers, but the recurring character is always entertaining.

The failure of a resurgent Irish Republican Army–planned bombing in 2016 London puts an Irishman on the run from both MI5 and his boss in Benacre’s (McCann, 2015, etc.) thriller.

A bomb threat tips off MI5 with specific details: a sophisticated device lies in a central London skyscraper. Intelligence officers, including Neill McCormac, surmise it was planted by Michael McCann, already a suspected covert IRA member, a Cleanskin. MI5 manages to locate the nuclear bomb and successfully disarm it before its Easter Friday denotation time. By then, McCann’s over 100 miles away, unaware that IRA surveillance and a clandestine Patricia Whelan have eyes on him. But once McCann realizes nothing exploded in London, he’s on the lam, knowing IRA leader Frank O’Neill’s Middle Eastern terrorist pals will target him for assassination. He goes deep undercover as Russian sailor Yury Borzov while accomplice/warlord Ruslan Barayev ducks out in Amsterdam. There’s a danger, of course, of MI5 tracking down Barayev, having found Mia Dawkin, an escort McCann saw back in ’03 and ’08. Agents themselves are understandably nervous that someone’s got a second nuclear bomb somewhere. Mass killings within an unstable IRA, meanwhile, signal a possible clean slate for McCann—provided he’s not on the hit list, too. The novel opens full tilt, the plans for the bombing a main plot in an earlier McCann book. McCann, as in preceding stories, is delectably complex, easy to cheer on as he skillfully adapts to his Yury persona despite readers’ knowledge that his device would likely have killed countless Londoners. But while it’s fascinating to watch the protagonist incognito, as well as the fallout his actions have for others in his life, it doesn’t afford much suspense. McCann is so good at hiding that he rarely seems to be at any risk and, sure enough, later becomes more invested in having sex with girlfriend Bonnie’s closer-in-age mom, Pat Munro. Regardless, the perspective of MI5 retains a lively narrative, especially its methods— using a keystroke signature like a fingerprint—and collective resolve, periodic talks with Mia evolving into “monthly luncheons.”

An IRA protagonist perhaps too smart for his pursuers, but the recurring character is always entertaining.

Pub Date: March 6, 2016

ISBN: N/A

Page Count: 466

Publisher: CreateSpace

Review Posted Online: April 20, 2016

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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