An intriguing work whose ambition and richness should, for many readers, overcome some flaws.
This challenging, time-traveling epic looks at a family’s travails in different eras and locales around the world.
With his 12th novel for adults, Irish writer Boyne tracks one family, more or less, through two millennia and over much of the globe. Gird your loins: This is busy and potentially confusing stuff, teeming with treachery, flaying, famous figures, and “the marriage act.” As the book begins, in Palestine, 1 C.E., the unnamed male narrator’s father, a Roman soldier, heads off to slaughter innocents at Herod’s behest. Chapter 2’s segue suggests the same narrative, but the family members have different names and live in Turkey, 41 C.E. So it will go, for 50 chapters, as the family members and their crises slowly evolve in ever new settings enriched by historical details and cameos from Attila, Michelangelo, and Lady Macbeth, inter alia. It’s a kind of mashup of the History Channel and soap operas, with the cast facing enslavement, rape, gay bashing, murder, natural disasters, a missing brother, and lost wives. The narrator, along with an artistic bent, has a nasty side, and the latter part of the book will be dominated by his drive for vengeance against a crippled cousin. With Chapter 51, the final crisis arrives in the U.S. on election night 2016. Boyne is a gifted storyteller, but the language here can be stilted, sometimes comically so: “the unexpected engorgement beneath my tunic.” His theme, with all its variations and repetition, boils down to plus ca change: “[T]he things that surround us may change, but our emotions will always remain the same.” Yet an epilogue set in the near future suggests what it might take to get us off our hamster wheel.
An intriguing work whose ambition and richness should, for many readers, overcome some flaws.Pub Date: Aug. 11, 2020
ISBN: 978-0-593-23015-2
Page Count: 464
Publisher: Hogarth
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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