by John C. Tucker ‧ RELEASE DATE: March 1, 2003
An eminently instructive guide for law students, and for general readers an authentic version of a world they normally see...
In his impeccably detailed memoir, trial lawyer Tucker (May God Have Mercy, 1997) takes readers through some of the most celebrated and notorious courtroom dramas of the 20th century.
You expect an attorney to emphasize specifics: when discussing his defense of a paranoid schizophrenic in the mid-1960s, for example, Tucker describes the moment he received the call from the defendant’s father, how he arranged to meet the man, why the courts of that time failed to provide justice for the mentally ill. What’s surprising is how breezy and engrossing the narrative is. Readers will want the details to unfold because, like members of a jury, they know an argument or lesson is going to reveal itself at some point. Usually the author’s lessons reaffirm the sanctity of the judicial system. Even though many of the cases here involve justice breaking down, unfair judges, rigid bureaucracies, and politics muddling up the courtroom, ultimately each example Tucker provides ends with the triumph of truth over falsehood. His chapter on the trial of the Chicago Eight is a case in point. Tucker writes that US Judge Julius Hoffman performed horribly in the case, which involved the so-called conspirators who organized a demonstration outside the Democratic National Convention in 1968. The judge was biased throughout the proceedings, going so far as to jail some of the defendants’ lawyers and later sentencing almost everyone who was part of the case to a few years in prison for contempt of court. In the end, Hoffman’s draconian actions were overturned, and Tucker argues that the circus arising from the trial sent a message to other judges that they couldn’t quash people’s First Amendment rights so easily. He wonders if a popular movement will protect due-process rights in the war against terrorism.
An eminently instructive guide for law students, and for general readers an authentic version of a world they normally see only through the meretricious lens of TV courtroom dramas.Pub Date: March 1, 2003
ISBN: 0-7867-1113-2
Page Count: 368
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
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BOOK REVIEW
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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