A swift-moving and cinematic thriller.
A former prisoner must team up with a police investigator to solve the mystery of his friend’s abduction in this crime novel.
A man called Monster-Boy, “a near giant with a face like a child” and “a mouthful of misshapen teeth,” hates ex-con James Beck—so much so that he installs a closed-circuit TV camera to watch Beck’s home in the Red Hook neighborhood of Brooklyn; abducts his friend Manny Guzman; and taunts him with graphic images of violence and cryptic messages via text. As Beck tries to uncover the true identity of his enemy, he crosses paths with New York City cop Dianne Brennan, who’s investigating the second of two vicious homicides. In this third installment of the James Beck mystery series, Clarkson includes vivid descriptions of violence as well as strong language, but it never seems gratuitous given the author’s fidelity to the hard-boiled crime genre and the language of prison culture. Beck went to prison for manslaughter because of his involvement in a bar fight that led to a police officer’s death, and his past provides the novel’s core secrets. Chapters alternate between Monster-Boy’s machinations, Beck and his friends’ attempt to locate Manny, and Brennan’s pursuit of Beck to solve her two homicides; in the best hard-boiled tradition, the cops are always one step behind the amateur-detective protagonist. Clarkson includes some scenes of lighthearted banter, such as the exchange between Brennan and another cop about breakfast: “ ‘What did you get?’ ‘Some sort of egg and muffin thing. With bacon.’ ‘Really?’…‘Don’t get too excited. They’re microwaved.’ ” He also shows himself to be well versed in weaponry, as when a character loads “six Winchester PDX1 12-gauge defender shells into the Remington.” Such touches of realism will satisfy genre aficionados.
A swift-moving and cinematic thriller.Pub Date: Nov. 25, 2020
ISBN: 978-0-9992155-9-3
Page Count: 434
Publisher: John Clarkson Inc.
Review Posted Online: March 20, 2021
Kirkus Reviews Issue: May 1, 2021
Review Program: Kirkus Indie
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Even when King is not at his best, he’s still good.
Two killers are on the loose. Can they be stopped?
In this ambitious mystery, the prolific and popular King tells the story of a serial murderer who pledges, in a note to Buckeye City police, to kill “13 innocents and 1 guilty,” in order, we eventually learn, to avenge the death of a man who was framed and convicted for possession of child pornography and then killed in prison. At the same time, the author weaves in the efforts of another would-be murderer, a member of a violently abortion-opposing church who has been stalking a popular feminist author and women’s rights activist on a publicity tour. To tell these twin tales of murders done and intended, King summons some familiar characters, including private investigator Holly Gibney, whom readers may recall from previous novels. Gibney is enlisted to help Buckeye City police detective Izzy Jaynes try to identify and stop the serial killer, who has been murdering random unlucky citizens with chilling efficiency. She’s also been hired as a bodyguard for author and activist Kate McKay and her young assistant. The author succeeds in grabbing the reader’s interest and holding it throughout this page-turning tale of terror, which reads like a big-screen thriller. The action is well paced, the settings are vividly drawn, and King’s choice to focus on the real and deadly dangers of extremist thought is admirable. But the book is hamstrung by cliched characters, hackneyed dialogue (both spoken and internal), and motives that feel both convoluted and overly simplistic. King shines brightest when he gets to the heart of our darkest fears and desires, but here the dangers seem a bit cerebral. In his warning letter to the police, the serial killer wonders if his cryptic rationale to murder will make sense to others, concluding, “It does to me, and that is enough.” Is it enough? In another writer’s work, it might not be, but in King’s skilled hands, it probably is.
Even when King is not at his best, he’s still good.Pub Date: May 27, 2025
ISBN: 9781668089330
Page Count: 448
Publisher: Scribner
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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