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IN HISTORY'S SHADOW

AN AMERICAN ODYSSEY

In a crowded life that ended this June, Connally was aide and confidant to Lyndon Johnson, businessman, secretary of the navy, governor of Texas, secretary of the treasury under Nixon, and presidential candidate. But he understood that he would be ``identified forever as the man who was wounded by the gun that killed John Kennedy,'' as he acknowledges matter-of-factly in this memoir (written with Herskowitz, coauthor of autobiographies of Dan Rather and Bette Davis). Two chapters here recount Connally's version of November 22, 1963, as he takes up arms against conspiracy theorists (including Oliver Stone) for ``renewing the nation's most haunting ordeal'' (ironically, the author's death from complications caused by his Dallas wounds have led conspiracy theorists to call for an autopsy). But even aside from the ``six seconds in Dallas,'' the rest of Connally's life still would be enough to merit his reminiscences—which, besides his stints in public office, cover his 1973 switch from the Democratic to the Republican Party; his 1974 indictment and acquittal on bribery charges in connection with the Watergate-era ``milk fund''; and his 1987 bankruptcy. Yet despite his distance from these events, Connally is seldom forthcoming about them—for instance, thanking Barbara Jordan for testifying on his behalf at his trial despite her disagreement ``with several of my political beliefs,'' but never explaining what those beliefs are (though they must relate to Connally's lukewarm stance on civil rights, a convulsive issue on which he's totally silent here). The best chapters detail the author's relationship with LBJ, whom Connally characterizes with affectionate exasperation as a kind of political older brother—impossible to work for but desperately craving to be liked. Like two other rangy Texans, Sam Houston and LBJ, Connally became a major controversial national figure by transforming his state. But while bristling with self-confidence and energy, his memoir tells little about the source of his Texas Tory beliefs. (Sixteen pages of b&w photographs—not seen)

Pub Date: Nov. 1, 1993

ISBN: 1-56282-791-X

Page Count: 400

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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