Readers may well feel that the wait in between battles and heists feels a little too much like school.

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THE DUNGEONEERS

Even a school for rogues is, at its core, a school.

“So you run a school for thieves…I mean, rogues,” Colm Candorly asks, early in the novel. He’s speaking to Finn Argos, who’s missing two fingers and bears a scar across his face. “It’s not a school,” Finn tells him, more than once. But Finn lies. Learning to be a dungeoneer means endless lock-picking drills, reading the Rogue’s Encyclopedia, and listening to recitations of rules. The rules turn out to be extremely useful, though, and even funny, like Rule 23: “Be the best there is at what you do and always aware that someone does it better.” The dialogue in the book is often witty, especially when it comes from Finn. He has a long list of terms for meeting your maker, including “paid his debts” and “lost his wager.” “Of course,” he says, “anyone else—a warrior, a wizard, a ranger, you name it—they just die, plain and simple. But we rogues are much too clever for that.” The problem is that for chapters at a time, the book is nothing but clever talk. Colm spends some of his time as an apprentice rogue escaping from deathtraps, fighting orcs, and being attacked by a giant scorpion; the battles and heists—when they finally come—are satisfying and occasionally shocking.

Readers may well feel that the wait in between battles and heists feels a little too much like school. (Fantasy. 8-12)

Pub Date: June 23, 2015

ISBN: 978-0-06-233814-3

Page Count: 448

Publisher: Walden Pond Press/HarperCollins

Review Posted Online: March 17, 2015

Kirkus Reviews Issue: April 1, 2015

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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A killer thriller.

THREE HOURS IN PARIS

Black takes time out from chronicling the neighborhood-themed exploits of half-French detective Aimée Leduc to introduce a heroine as American as apple pie.

Kate Rees never expected to see Paris again, especially not under these circumstances. Born and bred in rural Oregon, she earned a scholarship to the Sorbonne, where she met Dafydd, a handsome Welshman who stole her heart. The start of World War II finds the couple stationed in the Orkney Islands, where Kate impresses Alfred Stepney of the War Department with the rifle skills she developed helping her dad and five brothers protect the family’s cattle. After unimaginable tragedy strikes, Stepney recruits Kate for a mission that will allow her to channel her newly ignited rage against the Germans who’ve just invaded France. She’s parachuted into the countryside, where her fluent French should help her blend in. Landing in a field, she hops a milk train to Paris, where she plans to shoot Adolf Hitler as he stands on the steps of Sacre-Coeur. Instead, she kills his admiral and has to flee through the streets of Paris, struggling to hook up with the rescuers who are supposed to extract her. Meanwhile, Gunter Hoffman, a career policeman in a wartime assignment with the Reichssicherheitsdienst security forces, is charged with finding the assassin who dared attempt to kill the Führer. It’s hard to see how it can end well for both the cop and the cowgirl. The heroine’s flight is too episodic to capitalize on Black’s skill at character development, but she’s great at raising readers’ blood pressure.

A killer thriller.

Pub Date: April 7, 2020

ISBN: N/A

Page Count: 360

Publisher: Soho Crime

Review Posted Online: May 4, 2020

Kirkus Reviews Issue: May 15, 2020

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Classic action-packed, monster-fighting fun

THE LAST KIDS ON EARTH

From the Last Kids on Earth series , Vol. 1

It’s been 42 days since the Monster Apocalypse began, and 13-year-old Jack Sullivan, a self-proclaimed “zombie-fighting, monster-slaying tornado of cool” is on a quest to find and rescue his not-so-secret crush, June Del Toro, whether she needs it, wants it, or not.

Jack cobbles together an unlikely but endearing crew, including his scientist best friend, Quint Baker; Dirk Savage, Parker Middle School’s biggest bully; and a pet monster named Rover, to help him save the damsel in distress and complete the “ULTIMATE Feat of Apocalyptic Success.” Middle-grade readers, particularly boys, will find Jack’s pitch-perfect mix of humor, bravado, and self-professed geekiness impossible to resist. His sidekicks are equally entertaining, and it doesn’t hurt that there are also plenty of oozing, drooling, sharp-toothed monsters and zombies and a host of gizmos and gadgets to hook readers and keep them cheering with every turn of the page. Holgate’s illustrations play an integral role in the novel’s success. They not only bring Brallier’s characters to life, but also add depth and detail to the story, making plain just exactly how big Rover is and giving the lie to Jack’s “killer driving.” The marriage of text and illustration serves as a perfect example of what an illustrated novel can and should be.

Classic action-packed, monster-fighting fun (. (Graphic/horror hybrid. 8-12)

Pub Date: Oct. 13, 2015

ISBN: 978-0-670-01661-7

Page Count: 240

Publisher: Viking

Review Posted Online: July 22, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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