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A Danger to God Himself

An unlikely take on the buddy story, this book offers a conventional plot but strong, nuanced characters.

A debut novel follows two young Mormon missionaries in the late 1970s.

When the reader first meets narrator Kenny Feller, he is 20 months into his two-year commitment of finding converts for the Church of Jesus Christ of Latter-day Saints. Proceeding with his project in Sedro-Woolley, Washington, Feller is largely unsuccessful. As he explains, “In my entire twenty months sharing the gospel, my companions and I had shepherded a total of two seekers into the waters of baptism. Two.” In August 1979 he is teamed up with a new partner, Jared Baserman from Idaho. Wisecracking (“You never knew, with Jared, if you were walking, unwittingly, into a punch line”) and flippant, Jared boasts a well-meaning but financially inept father and a marijuana-loving sister. Sent on his mission as a way to redeem his family, Jared is hardly the squeaky-clean figure one might expect from a proselytizing Mormon. Forming a friendship, Kenny and Jared face a world that often displays hostility to their church and challenges their personal beliefs. Detailing the aspects of the seemingly impossible missionary process (such as encouraging potential converts to “read the Book of Mormon—all of it, preferably, or at least some of its choicest selections—and then ask Heavenly Father to convey to them a testimony of its truthfulness”), the book provides a wealth of information on problems common in the field. Persuading strangers to take up a religion is certainly no easy task and the narrative effectively treats its protagonists as multifaceted characters. Exploring thornier issues of Mormon Church beliefs, like the rule that black men could not hold the priesthood until 1978, the story remains investigative without being overly facetious. But descriptions can prove less than illuminating, such as when a character looks at Jared “with his eyes bugging out of his head.” But on the whole, the plot moves quickly despite such distractions. While the book’s conclusion, particularly as Jared becomes ever stranger, seems self-evident, the tale’s excitement comes in the characters and their struggles along the way.

An unlikely take on the buddy story, this book offers a conventional plot but strong, nuanced characters.

Pub Date: Nov. 1, 2015

ISBN: 978-1-5188-8109-1

Page Count: 268

Publisher: CreateSpace

Review Posted Online: Jan. 7, 2016

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THE TESTAMENTS

Suspenseful, full of incident, and not obviously necessary.

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Atwood goes back to Gilead.

The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.

Suspenseful, full of incident, and not obviously necessary.

Pub Date: Sept. 10, 2019

ISBN: 978-0-385-54378-1

Page Count: 432

Publisher: Nan A. Talese

Review Posted Online: Sept. 3, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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