Brittle and brilliant, a welcome record of Black life and thought in an often unwelcoming nation.
A gathering of sharply focused essays by the distinguished novelist.
“The peculiar and perhaps fatal American violence is the refusal to connect,” writes Wideman. One aspect of that refusal gives this collection its title, as the author recounts gazing, as a youngster, into a confectioner’s shop in his native Pittsburgh, his pockets full from the proceeds of his paper route, and pronouncing the prices “exorbitant,” infuriating a white passerby. Wideman knows why: “I’d stolen a piece of their language. Not only was it in my possession, I also had the nerve to flaunt it in a public place, in their righteous faces.” Another source for the title is the author’s close attention to language: the blending of “literate and oral traditions” in Gayl Jones’ novel Corregidora, the use of dialect in 19th-century literature, and the contrary refusal of the poet Phillis Wheatley to use anything but “the eighteenth-century literary code of English, a code doubly foreign, a tradition in which her achievements seem both miraculous and pedestrian.” One of several tours de force here is Wideman’s long meditation on, among other things, the unhappy fate that befell Louis Till, estranged father of Emmett, who was executed for allegedly committing rape in Italy during World War II; the author has long been attuned to issues of justice and injustice, with an early essay on white police in Black communities carrying a blunt message: “Whatever else the policeman is, he is also a further validation of the cage.” Wideman’s serious considerations of history and culture are punctuated by several perceptive pieces on hoops, writing in one that “playground basketball is the most democratic of games” and celebrating the sui generis style of Dennis Rodman, whom, in a fine literary turn, he groups alongside Caliban and Frankenstein’s monster as “neither one thing or another.”
Brittle and brilliant, a welcome record of Black life and thought in an often unwelcoming nation.Pub Date: Nov. 18, 2025
ISBN: 9781668036372
Page Count: 400
Publisher: Scribner
Review Posted Online: Aug. 23, 2025
Kirkus Reviews Issue: Oct. 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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