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CORNBREAD NATION 1

THE BEST OF SOUTHERN FOOD WRITING

A delicious feast, as well as a thoughtful celebration of regional culture.

Egerton assembles more than four dozen previously published pieces by writers such as Nikki Giovanni and Roy Blount Jr., offering the same serendipitous delights as time spent on a front porch of a summer evening enjoying good food and good talk.

This is the first volume in what is to be an annual series, and, divided into sections of People, Times, Things, Places, and Southern Foodways, it’s a beguiling mix of food lore, encounters with memorable characters, and, of course, the place itself, from swampy bayous to the rolling hills of Appalachia. The selections stem from Town and Country, Food & Wine, The Atlanta Journal-Constitution, and elsewhere, but they all reflect an abiding affection for things southern, especially the food—from boiled peanuts to Scuppernogs (a native muscadine grape) and, of course, barbecue. It is a subject that evokes passionate debate about, say, the virtues of a mustard-based versus a tomato-based sauce, or even bitter family feuds. In “A Confederacy of Sauces,” Jack Hitt relates how in South Carolina, a politically liberal brother has taken advantage of a boycott of his reactionary brother’s mustard-based barbecue sauce to put his own version in stores. The writers introduce characters like nonagenarian Moonshiner Coe Dupuis; Leah Chase, the cook at the famous New Orleans restaurant, Dooky Chase; and Dori Sanders, a peach farmer and writer. They visit farms where watermelons are grown, they stalk wild hogs, and they eat dinner in a Texas prison, where the incarcerated chef has a reputation as a great cook. There are tributes to southern food writers like Craig Claiborne and Eugene Walter, as well as memories of canning, family reunions, and Thanksgivings at which, alongside the turkey, there’s macaroni and cheese—“a vegetable in the South.” Others debate the merits of iced tea, which in this region is always sweetened; and explore the origin of vegetables like okra and sweet potatoes, as well as the influence of African-American traditions on white cooking, particularly in the way greens are cooked.

A delicious feast, as well as a thoughtful celebration of regional culture.

Pub Date: Oct. 14, 2002

ISBN: 0-8078-5419-0

Page Count: 304

Publisher: Univ. of North Carolina

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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