edited by John Egerton ‧ RELEASE DATE: Oct. 14, 2002
A delicious feast, as well as a thoughtful celebration of regional culture.
Egerton assembles more than four dozen previously published pieces by writers such as Nikki Giovanni and Roy Blount Jr., offering the same serendipitous delights as time spent on a front porch of a summer evening enjoying good food and good talk.
This is the first volume in what is to be an annual series, and, divided into sections of People, Times, Things, Places, and Southern Foodways, it’s a beguiling mix of food lore, encounters with memorable characters, and, of course, the place itself, from swampy bayous to the rolling hills of Appalachia. The selections stem from Town and Country, Food & Wine, The Atlanta Journal-Constitution, and elsewhere, but they all reflect an abiding affection for things southern, especially the food—from boiled peanuts to Scuppernogs (a native muscadine grape) and, of course, barbecue. It is a subject that evokes passionate debate about, say, the virtues of a mustard-based versus a tomato-based sauce, or even bitter family feuds. In “A Confederacy of Sauces,” Jack Hitt relates how in South Carolina, a politically liberal brother has taken advantage of a boycott of his reactionary brother’s mustard-based barbecue sauce to put his own version in stores. The writers introduce characters like nonagenarian Moonshiner Coe Dupuis; Leah Chase, the cook at the famous New Orleans restaurant, Dooky Chase; and Dori Sanders, a peach farmer and writer. They visit farms where watermelons are grown, they stalk wild hogs, and they eat dinner in a Texas prison, where the incarcerated chef has a reputation as a great cook. There are tributes to southern food writers like Craig Claiborne and Eugene Walter, as well as memories of canning, family reunions, and Thanksgivings at which, alongside the turkey, there’s macaroni and cheese—“a vegetable in the South.” Others debate the merits of iced tea, which in this region is always sweetened; and explore the origin of vegetables like okra and sweet potatoes, as well as the influence of African-American traditions on white cooking, particularly in the way greens are cooked.
A delicious feast, as well as a thoughtful celebration of regional culture.Pub Date: Oct. 14, 2002
ISBN: 0-8078-5419-0
Page Count: 304
Publisher: Univ. of North Carolina
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by John Egerton
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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