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The Power of Uncertainty

A CASE FOR THE LIBERAL ARTS

Makes many good points and portrays a writer of intellect and compassion, but the arguments struggle to coalesce into a...

An intelligent and impassioned, albeit not quite cohesive, argument for uncertainty and a foundation in the arts.

Formally trained as a mathematician and psychologist, Loase spends a good portion of this slim volume laying the groundwork for his thesis that mathematics relies on a foundation constructed on assumptions. Along the way, he references certain principles of statistics and calculus as well as more esoteric branches of mathematics. He also touches on the work of several famous mathematicians, ranging from Bertrand Russell to Andrew Wiles, making his points without belaboring his ideas or getting bogged down in minutiae. However, once the mathematical chapters are finished, Loase’s arguments quickly begin to lose momentum. A chapter on science, for instance, veers off topic into what reads like an attack on atheists, specifically Richard Dawkins, whose name is consistently misspelled: “Richard Dawkings has made it fashionable to deify science at the expense of religion.” The following chapter on free will muddies the waters further, since the concept appears more as a statement of Loase’s faith than a reasoned argument. By the arrival of chapters extolling the importance of literature, film, art, and psychology, the overall thread of Loase’s thesis has been lost in the ether, with individual statements and assertions making sense but failing to coalesce into a logical whole. Furthermore, while Loase’s work on the concept of “sigfluence”—positive, significant, long-term interpersonal influence—is undoubtedly valuable in psychological and behavioral studies, its value to the idea of liberal arts being a useful guide to one’s life development is not made sufficiently clear; as such, the frequent references to it seem more like self-promotion than an attempt to contextualize and/or bolster his arguments. Fans of science, mathematics, the liberal arts, and the value of a well-rounded education may find themselves echoing Daniel Dennett: “There’s nothing I like less than bad arguments for a view I hold dear.”

Makes many good points and portrays a writer of intellect and compassion, but the arguments struggle to coalesce into a meaningful statement, likely leaving many readers underwhelmed.

Pub Date: Sept. 1, 2014

ISBN: 978-1-62006-485-6

Page Count: 152

Publisher: Sunbury Press

Review Posted Online: June 27, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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