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The Complete Guide to English Spelling Rules

A supremely useful spelling resource for native and non-native speakers alike.

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A volume examines the quirks of English in a logical, no-frills manner.

In this work, Fulford (To Reach the Sea: The Creation of Bolivia and Its Extraordinary Struggle to Survive, 2014, etc.) asserts that despite the English language’s reputation as a lawless territory, there are certainly patterns to be found and studied. He begins with a brief history of the language and notes the contributions of familiar figures such as Samuel Johnson, Noah Webster, Benjamin Franklin, and Melville Dewey. The author also explains why spelling reform movements have met with varying degrees of success over the years, for reasons both linguistic and sociological. Early chapters may resurrect memories of long-forgotten school lessons on syllabification, apostrophes, plural formation, and doubling the consonant. But the bulk of the text focuses on the workings of individual letters or common letter groupings. The author identifies illogical usages, sharing a student’s understandable frustration with the more difficult spelling groups. For instance, he writes: “Without a doubt, the most annoying spellings in the English language are the ancient igh, ough, and augh. They are thousand-year-old relics that should have vanished centuries ago, but never did.” Near the end of the book, Fulford straightens out potential confusion concerning homographs, homophones, homonyms, and heteronyms. One minor quibble involves formatting issues, whereby some boldfaced passages featured in the margins of one chapter actually refer to text in a different chapter. Nonetheless, the author strikes a difficult balance, as each chapter presents a well-chosen number of examples that fit the patterns discussed alongside notable exceptions. Thus, the guide is not as dry as one might imagine. Fulford wryly remarks on the exceptional pronunciation of the NBA’s Boston Celtics (Seltics, not Keltics) and includes the following historical note: “In the overly quaint Ye Olde Tea Shoppe, the word ye was originally pronounced the. The y takes the place of an ancient letter called a thorn, now no longer used, that had the th sound.” For those who have always wondered about such matters, the mystery is solved.

A supremely useful spelling resource for native and non-native speakers alike.

Pub Date: April 24, 2012

ISBN: 978-0-9831872-1-9

Page Count: 146

Publisher: Astoria Press

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Feb. 1, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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