by John Gardner ‧ RELEASE DATE: July 25, 2024
A well-argued defense of U.S. manufacturing.
An entrepreneur makes the case for locally centered manufacturing in this debut nonfiction book.
As a business owner whose patented product has been sold to the Ford Motor Company, the United States Army, and the Naval Nuclear Propulsion Program, among others, the author is well aware of the difficulties confronting 21st-century manufacturing inside the U.S. Blending his personal success story with commentary on national economic policy, Gardner calls for a renewed national emphasis on manufacturing in this concise treatise and ode to “the unsung strength of America’s core industry.” The book begins with a brief overview of the history of manufacturing in America, suggesting that, as early as the 1700s, pre-Revolutionary Americans recognized that local manufacturing was essential to their individual self-interests and desire for economic independence. The narrative quickly moves through the rise of American manufacturing and steel production in the 19th and 20th centuries prior to its decline in the 1970s as the rustbelt consumed places like the author’s hometown of Lancaster, Ohio. Nuanced in its analysis, the work blames the weakening of American manufacturing both on corporate and government policy. Per Gardner, the outsourcing of labor, complacency regarding “shoddy workmanship,” and corporate mismanagement (combined with a growing emphasis in the 1980s and ’90s on free trade) led to a precipitous decline in American manufacturing. An optimist by nature, the author still has a “fundamental hope for our country” and puts forth a multi-chapter analysis of the ways in which “we can still save manufacturing and, in doing so, rebuild America.” Central to the book’s vision is what Gardner calls “America-first capitalism,” which rejects the unilateral free trade vision of conservative economists like Milton Friedman as well as the principles of globalization endorsed by neoliberals. (In particular, the book endorses tariffs on foreign goods.) According to the author, embracing this approach would not only bolster American jobs but also strengthen America’s national security by making it less dependent upon rival nations like China for things that range from medical supplies to the raw materials needed for infrastructure revitalization. Another proposition calls for the redirection of educational priorities away from college degrees toward trade schools and on-the-job experience—the author posits that “there are too many head chefs in the kitchen and not enough prep cooks, dishwashers, and line cooks.” The book’s concluding chapter stumps for a vigorous government campaign to promote the values of buying American-made goods that would combine the ubiquity of Covid-19 awareness campaigns with classic pro-American propaganda poster imagery celebrating industrial workers.
While overtly political, the book’s down-to-earth, accessible narrative never resorts to the incendiary, hyper-partisan rhetoric that is now commonplace in U.S. political discourse. At less than 118 total pages, the book supports its arguments with more than 80 research footnotes. Some readers may cringe at the author’s use of the politically loaded phrase “America-first” and passing endorsements of the trade policies of controversial politicians like Donald Trump and J. D. Vance, though Gardner is careful to keep the book’s focus on his optimistic views of American manufacturing. Economists who favor free trade and policies that encourage the U.S. to embrace globalization will certainly disagree with the book’s conclusions, but they will also find that their positions are treated fairly within the book’s analysis, which never resorts to strawmen arguments in its critiques.
A well-argued defense of U.S. manufacturing.Pub Date: July 25, 2024
ISBN: 9798990995000
Page Count: 118
Publisher: N/A
Review Posted Online: June 20, 2024
Review Program: Kirkus Indie
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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IndieBound Bestseller
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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