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MANUFACTURE LOCAL

HOW TO MAKE AMERICA THE MANUFACTURING SUPERPOWER OF THE WORLD

A well-argued defense of U.S. manufacturing.

An entrepreneur makes the case for locally centered manufacturing in this debut nonfiction book.

As a business owner whose patented product has been sold to the Ford Motor Company, the United States Army, and the Naval Nuclear Propulsion Program, among others, the author is well aware of the difficulties confronting 21st-century manufacturing inside the U.S. Blending his personal success story with commentary on national economic policy, Gardner calls for a renewed national emphasis on manufacturing in this concise treatise and ode to “the unsung strength of America’s core industry.” The book begins with a brief overview of the history of manufacturing in America, suggesting that, as early as the 1700s, pre-Revolutionary Americans recognized that local manufacturing was essential to their individual self-interests and desire for economic independence. The narrative quickly moves through the rise of American manufacturing and steel production in the 19th and 20th centuries prior to its decline in the 1970s as the rustbelt consumed places like the author’s hometown of Lancaster, Ohio. Nuanced in its analysis, the work blames the weakening of American manufacturing both on corporate and government policy. Per Gardner, the outsourcing of labor, complacency regarding “shoddy workmanship,” and corporate mismanagement (combined with a growing emphasis in the 1980s and ’90s on free trade) led to a precipitous decline in American manufacturing. An optimist by nature, the author still has a “fundamental hope for our country” and puts forth a multi-chapter analysis of the ways in which “we can still save manufacturing and, in doing so, rebuild America.” Central to the book’s vision is what Gardner calls “America-first capitalism,” which rejects the unilateral free trade vision of conservative economists like Milton Friedman as well as the principles of globalization endorsed by neoliberals. (In particular, the book endorses tariffs on foreign goods.) According to the author, embracing this approach would not only bolster American jobs but also strengthen America’s national security by making it less dependent upon rival nations like China for things that range from medical supplies to the raw materials needed for infrastructure revitalization. Another proposition calls for the redirection of educational priorities away from college degrees toward trade schools and on-the-job experience—the author posits that “there are too many head chefs in the kitchen and not enough prep cooks, dishwashers, and line cooks.” The book’s concluding chapter stumps for a vigorous government campaign to promote the values of buying American-made goods that would combine the ubiquity of Covid-19 awareness campaigns with classic pro-American propaganda poster imagery celebrating industrial workers.

While overtly political, the book’s down-to-earth, accessible narrative never resorts to the incendiary, hyper-partisan rhetoric that is now commonplace in U.S. political discourse. At less than 118 total pages, the book supports its arguments with more than 80 research footnotes. Some readers may cringe at the author’s use of the politically loaded phrase “America-first” and passing endorsements of the trade policies of controversial politicians like Donald Trump and J. D. Vance, though Gardner is careful to keep the book’s focus on his optimistic views of American manufacturing. Economists who favor free trade and policies that encourage the U.S. to embrace globalization will certainly disagree with the book’s conclusions, but they will also find that their positions are treated fairly within the book’s analysis, which never resorts to strawmen arguments in its critiques.

A well-argued defense of U.S. manufacturing.

Pub Date: July 25, 2024

ISBN: 9798990995000

Page Count: 118

Publisher: N/A

Review Posted Online: June 20, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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