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MANUFACTURE LOCAL

HOW TO MAKE AMERICA THE MANUFACTURING SUPERPOWER OF THE WORLD

A well-argued defense of U.S. manufacturing.

An entrepreneur makes the case for locally centered manufacturing in this debut nonfiction book.

As a business owner whose patented product has been sold to the Ford Motor Company, the United States Army, and the Naval Nuclear Propulsion Program, among others, the author is well aware of the difficulties confronting 21st-century manufacturing inside the U.S. Blending his personal success story with commentary on national economic policy, Gardner calls for a renewed national emphasis on manufacturing in this concise treatise and ode to “the unsung strength of America’s core industry.” The book begins with a brief overview of the history of manufacturing in America, suggesting that, as early as the 1700s, pre-Revolutionary Americans recognized that local manufacturing was essential to their individual self-interests and desire for economic independence. The narrative quickly moves through the rise of American manufacturing and steel production in the 19th and 20th centuries prior to its decline in the 1970s as the rustbelt consumed places like the author’s hometown of Lancaster, Ohio. Nuanced in its analysis, the work blames the weakening of American manufacturing both on corporate and government policy. Per Gardner, the outsourcing of labor, complacency regarding “shoddy workmanship,” and corporate mismanagement (combined with a growing emphasis in the 1980s and ’90s on free trade) led to a precipitous decline in American manufacturing. An optimist by nature, the author still has a “fundamental hope for our country” and puts forth a multi-chapter analysis of the ways in which “we can still save manufacturing and, in doing so, rebuild America.” Central to the book’s vision is what Gardner calls “America-first capitalism,” which rejects the unilateral free trade vision of conservative economists like Milton Friedman as well as the principles of globalization endorsed by neoliberals. (In particular, the book endorses tariffs on foreign goods.) According to the author, embracing this approach would not only bolster American jobs but also strengthen America’s national security by making it less dependent upon rival nations like China for things that range from medical supplies to the raw materials needed for infrastructure revitalization. Another proposition calls for the redirection of educational priorities away from college degrees toward trade schools and on-the-job experience—the author posits that “there are too many head chefs in the kitchen and not enough prep cooks, dishwashers, and line cooks.” The book’s concluding chapter stumps for a vigorous government campaign to promote the values of buying American-made goods that would combine the ubiquity of Covid-19 awareness campaigns with classic pro-American propaganda poster imagery celebrating industrial workers.

While overtly political, the book’s down-to-earth, accessible narrative never resorts to the incendiary, hyper-partisan rhetoric that is now commonplace in U.S. political discourse. At less than 118 total pages, the book supports its arguments with more than 80 research footnotes. Some readers may cringe at the author’s use of the politically loaded phrase “America-first” and passing endorsements of the trade policies of controversial politicians like Donald Trump and J. D. Vance, though Gardner is careful to keep the book’s focus on his optimistic views of American manufacturing. Economists who favor free trade and policies that encourage the U.S. to embrace globalization will certainly disagree with the book’s conclusions, but they will also find that their positions are treated fairly within the book’s analysis, which never resorts to strawmen arguments in its critiques.

A well-argued defense of U.S. manufacturing.

Pub Date: July 25, 2024

ISBN: 9798990995000

Page Count: 118

Publisher: N/A

Review Posted Online: June 20, 2024

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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