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AT THE TOMB OF THE INFLATABLE PIG

TRAVELS THROUGH PARAGUAY

On the one hand, no one should go to Paraguay without this book; on the other, despite Gimlette’s evident, though admittedly...

Paraguay the Peculiar—dazzlingly, murderously peculiar—is described through time and space from all points of the geographic and moral compass.

“Paraguay is not merely isolated,” remarks English travel-writer Gimlette in his debut, “it is almost impenetrable.” Caged in by poisonous jungles, boiling rivers, deserts, and endless marshland, it is a difficult country to get to, a piece of landlocked insularity. A fitting port-of-last-call, then, for all manner of time-warped creatures: Nazis, White Russians, New Germans, New Australians, old Anabaptists, with all of whom the author will find time to wag a chin. Gimlette is only passingly interested in the riotous, frangipani landscape; people fascinate him, and Paraguay will throw one character after another for him to field, from the mad-dog to the grandparent-sweet. Introductions came from every quarter, since Asunción’s million inhabitants “maintained the illusion that everybody knew each other, that there was a commonality of purpose, a quiet confederacy.” Or not so quiet, for Paraguay’s history (and if there’s one thing this writer likes more than a good jaw, it’s a dose of history) is far from sleepy. It is full of horrific wars and, thanks to its long seclusion, home to “all the different shapes and sizes of tyranny.” Feudal, agricultural, revolutionary socialist, Napoleonic, or just plain bizarre, the dictatorships culminated in the vile and brutish General Stroessner, who ruled from 1954 until 1989 and was the kind of guy who thought it might be colorful to have Josef Mengele living in-country. Gimlette expertly marshals the politics and personalities onto the stage and off as their stories brush up against his travels and encounters. He reveals a disheartening continuity; the economy is still a “merry roundabout of contraband,” and the government is still “dispensing malice.”

On the one hand, no one should go to Paraguay without this book; on the other, despite Gimlette’s evident, though admittedly acquired fondness for the place, why go at all? (16 pp. color and b&w photos)

Pub Date: Jan. 13, 2004

ISBN: 1-4000-4176-7

Page Count: 384

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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