Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it...

TURTLES ALL THE WAY DOWN

Nerdfighter Green’s latest takes readers through Indianapolis and the human biome.

Aza Holmes doesn’t feel like herself. But “if half the cells inside of you are not you, doesn’t that challenge the whole notion of me as a singular pronoun…?” When a local billionaire—and the father of her childhood friend, a white boy named Davis—disappears, Aza (who seems to be white) and her BFF, Daisy Ramirez (who is cued as Latina), plot to find him and claim the reward, amid rumors of corruption and an underexplored side plot about semi-immortal reptiles. The story revolves around anxious Aza’s dissociation from her body and life. Daisy chatters about Star Wars fan fiction (and calls Aza “Holmesy” ad nauseam), and Davis monologues about astronomy, while Aza obsesses over infection, the ever present, self-inflicted wound on her finger, and whether she’s “just a deeply flawed line of reasoning.” The thin but neatly constructed plot feels a bit like an excuse for Green to flex his philosophical muscles; teenagers questioning the mysteries of consciousness can identify with Aza, while others might wish that something—anything—really happens. The exploration of Aza’s life-threatening compulsions will resonate deeply with some, titillate others, and possibly trigger those in between.

Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it hard to say what anyone else will think—but this is the new John Green; people will read this, or not, regardless of someone else’s gut flora. (Fiction. 14-18)

Pub Date: Oct. 10, 2017

ISBN: 978-0-525-55536-0

Page Count: 304

Publisher: Dutton

Review Posted Online: Oct. 10, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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This gripping page-turner will keep readers guessing until the final twist.

SHE'S GONE

Seventeen-year-old Hunter Gifford has no memories of the car accident he was in the night of the homecoming dance with Chloe Summers, his now-missing girlfriend.

In the small southern Kentucky city of Bentley, comments on social media condemn Hunter as responsible for Chloe’s disappearance. When he attends the community vigil for her, Chloe’s mother publicly accuses Hunter of obstructing the investigation. Hunter’s own mom died when he was 15 and his sister, Olivia, was 12. Their dad has awkwardly attempted to pull his weight as a solo parent, and Hunter has stepped in and nurtured Livvy. Small but mighty Livvy is an ardent defender of her brother and is fiercely in love with her girlfriend, Gabriela. To make things worse, childhood friend Daniel informs Hunter that he’s making a true-crime documentary about Chloe. Hunter is upset, especially since it makes him look like a prime suspect, and a subsequent dramatic event draws more attention to the video. Hunter and Chloe met in creative writing club, and he knew she kept a journal—but it’s missing. Enter the sleuthing team of Hunter, Livvy, and Gabriela, who hatch a plan to find it. The dynamics between Hunter and Livvy and Livvy and Gabriela are endearing and will charm readers, who will root for them to solve the well-executed mystery. Main characters default to White; Gabriela is Mexican American.

This gripping page-turner will keep readers guessing until the final twist. (Thriller. 14-18)

Pub Date: Nov. 1, 2022

ISBN: 978-1-72825-420-3

Page Count: 360

Publisher: Sourcebooks Fire

Review Posted Online: Aug. 31, 2022

Kirkus Reviews Issue: Sept. 15, 2022

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