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THE DEATH OF THE SUN

Gribbin, a glib expositor of things astronomical, dons his speculative robes to predict some cold turns for the earth and the sun in the coming decades. Half the text is an up-to-date summary of solar and earth history. Here are familiar accounts of distance/mass/temperature relationships which support life on earth but hardly elsewhere in the solar system. The sun's position as a medium-sized star, and its fate compared with larger or smaller sisters, is also developed along conventional lines. What's new and different is the second half of the text. Here Gribbin counters orthodoxy with assertions that constancy and regularity are not characteristic of our sun—or anybody else's for that matter. For reasons known or unknown, the sun is perturbed, and may be generating 10% less heat at its core. The evidence is somewhat arcane. Gribbin relates it to the absence of certain species of neutrinos detectable in deep caves and to the varied complexities and rhythms of sunspot activity and solar flares. To make matters worse, the sun's "off-colorness" seems to render it more vulnerable to further disturbances—for example, by gravitational pulls exerted by the larger planets in certain alignments, All this can lead to sunquakes and maybe earthquakes and glacial chills. Gribbin is quick to acknowledge the taint of astrology when one introduces planetary alignments into astronomical arguments, and he is certainly opposed to horoscopes as such. What he does defend is his right to challenge conventional wisdom which—for no reason—has for long supported reason and order in the sun. And, he asks, might there not also be a slight disorder in the galaxy as a whole? Lively and discussable—by pros as well as armchair astronomers.

Pub Date: March 3, 1980

ISBN: 0440518547

Page Count: 195

Publisher: Delacorte

Review Posted Online: May 17, 2012

Kirkus Reviews Issue: March 1, 1980

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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