Not vintage Grisham but still a worthy yarn.
Friends turn foes in this Mississippi mix of courtroom and crime.
In 1960, 12-year-olds Keith Rudy and Hugh Malco are Little League fast-balling all stars and great friends in the Gulf Coast city of Biloxi, Mississippi. They’d love to make it to the big leagues one day, but alas, this story isn’t Field of Dreams. The lads’ lives diverge dramatically: Keith studies hard at Ole Miss, becomes an attorney, and sets up a law practice, while Hugh thrives in a seedy underworld of strip joints, honky-tonks, prostitution, and “unchecked vice” along “the poor man’s Riviera.” The Category 5 Hurricane Camille flattens Biloxi in 1969 and gives Keith many clients from cheated insurance policyholders. Unfortunately, Camille doesn’t clean up the local underworld so much as rearrange it. So Keith decides to run for district attorney and put criminals behind bars. At first, corrupt county sheriff Fats Bowman isn’t worried. “Need I remind you,” he tells his gang, “that the graveyard is full of politicians who promised to clean up the Coast?” But he and Hugh soon feel the heat from Keith, and they fight back hard. Plenty of murders stoke the story’s engine, naturally leading to courthouse scenes where the author excels. But how far will Hugh Malco go to keep Biloxi dirty and profitable? He wouldn’t try to hurt his old pal, would he? This is a multigenerational tale also starring Keith’s and Hugh’s fathers, Jesse and Lance. Perhaps because the novel spans decades, a lot of material feels like summary—readers quickly learn that many residents are of Croatian descent, and there are barely enough mentions of Black people to acknowledge their existence. The interpersonal dynamics make the story, because attentive readers will suss where the plot is going from a country mile away. For one thing, it’s a straight line save for one humongous surprise. But the author is always an engaging storyteller even when he could add another twist or two.
Not vintage Grisham but still a worthy yarn.Pub Date: Oct. 18, 2022
ISBN: 978-0-385-54892-2
Page Count: 432
Publisher: Doubleday
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...
Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.
The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.
Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.Pub Date: Sept. 29, 2015
ISBN: 978-0-06-242905-6
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: June 30, 2015
Kirkus Reviews Issue: July 15, 2015
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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