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THE BOYS FROM BILOXI

Not vintage Grisham but still a worthy yarn.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Friends turn foes in this Mississippi mix of courtroom and crime.

In 1960, 12-year-olds Keith Rudy and Hugh Malco are Little League fast-balling all stars and great friends in the Gulf Coast city of Biloxi, Mississippi. They’d love to make it to the big leagues one day, but alas, this story isn’t Field of Dreams. The lads’ lives diverge dramatically: Keith studies hard at Ole Miss, becomes an attorney, and sets up a law practice, while Hugh thrives in a seedy underworld of strip joints, honky-tonks, prostitution, and “unchecked vice” along “the poor man’s Riviera.” The Category 5 Hurricane Camille flattens Biloxi in 1969 and gives Keith many clients from cheated insurance policyholders. Unfortunately, Camille doesn’t clean up the local underworld so much as rearrange it. So Keith decides to run for district attorney and put criminals behind bars. At first, corrupt county sheriff Fats Bowman isn’t worried. “Need I remind you,” he tells his gang, “that the graveyard is full of politicians who promised to clean up the Coast?” But he and Hugh soon feel the heat from Keith, and they fight back hard. Plenty of murders stoke the story’s engine, naturally leading to courthouse scenes where the author excels. But how far will Hugh Malco go to keep Biloxi dirty and profitable? He wouldn’t try to hurt his old pal, would he? This is a multigenerational tale also starring Keith’s and Hugh’s fathers, Jesse and Lance. Perhaps because the novel spans decades, a lot of material feels like summary—readers quickly learn that many residents are of Croatian descent, and there are barely enough mentions of Black people to acknowledge their existence. The interpersonal dynamics make the story, because attentive readers will suss where the plot is going from a country mile away. For one thing, it’s a straight line save for one humongous surprise. But the author is always an engaging storyteller even when he could add another twist or two.

Not vintage Grisham but still a worthy yarn.

Pub Date: Oct. 18, 2022

ISBN: 978-0-385-54892-2

Page Count: 432

Publisher: Doubleday

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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