A pleasure for Grisham fans and an undemanding addition to the beach bag.
A tempest is bearing down, and murder most foul is afoot in Grisham’s latest whodunit.
Call it a metamystery: Grisham, prolific producer of courtroom thrillers, moves the action to a Florida resort island populated by mystery writers. In the wake of a ravaging hurricane, one of them turns up dead—a nice, affable fellow named Nelson Kerr, a former trial lawyer who “ratted out a client, a defense contractor who was illegally selling high-tech military stuff to the Iranians and North Koreans.” It’s not hard to understand that the client might want Kerr dead. But then, so would others whom Kerr has written about, including money launderers and—well, let’s just say other entrepreneurs who wouldn’t like their activities to be described in any detail. Enter bookstore owner Bruce Cable, friend, drinking buddy, and sometime editor and adviser of Kerr and other members of Camino Island’s literary crowd, including “an ex-con who’d served time in a federal pen for sins that were still vague.” Cable is perhaps Grisham’s least sympathetic hero; he drinks night and day, sleeps around, and has few apparent scruples. At least he’s not a lawyer. Neither is he a cop, though he’s quicker on the scene than the island’s homicide investigator—“I didn’t know we had a homicide guy,” Bruce allows, since murder is rare in these parts. That leaves it to him, an intern, a girlfriend, and assorted other players to piece together what happened to the unfortunate Mr. Kerr, who, it must be said, is dispatched in a way nicely in keeping with Floridian lifestyles. Grisham’s tale unfolds at a leisurely pace, never breaking into a sweat, and if the bad guys seem a touch too familiar, the rest of the cast make a varied and believable lot, and some might even be fun to ride out a storm with, at least if they're unarmed.
A pleasure for Grisham fans and an undemanding addition to the beach bag.Pub Date: April 28, 2020
ISBN: 978-0-385-54593-8
Page Count: 304
Publisher: Doubleday
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
SEEN & HEARD
Bombastic whiz-bang fun.
A former assassin fights to remain retired.
Mark is good at killing. After honing his skills as a Navy SEAL, he became an infamous hitman known as the Pale Horse, taking freelance gigs while also working for a clandestine deep-state organization dubbed the Agency. Then, last Christmas, something happened that caused him to quit cold turkey. Thanks to Assassins Anonymous, a support group designed to help people like him transition into a new way of life, Mark is just days away from receiving his one-year chip when a Mohawk-sporting Russian with prison tattoos jumps him, stabs him in the side, and flees. Mark manages to make it from the Lower East Side to the Bowery, where a black-market trauma surgeon named Astrid patches him up, but when he returns to his West Village apartment to retrieve the cash to pay her, he finds the place in flames. He ducks into his favorite local haunt to collect himself, only for the bartender to pass him a note from his Russian attacker that reads simply: SHE’S PRETTY. With Astrid now in danger, Mark has no choice but to bring her along on his desperate quest to uncover who wants him dead and why. Despite Mark’s insistence that “being an assassin is nothing like John Wick,” Hart’s latest wears its myriad cinematic influences on its sleeve. Escalating stakes and precisely choreographed action sequences keep the pages turning, but a slew of increasingly gonzo twists skew the tone toward camp—a vibe underscored by Mark’s droll yet angsty first-person-present narration. Though Hart often mistakes quirk for character development, the scenes Mark shares with his fellow recovering murder addicts impart some nice emotional resonance, helping to ground the tale and lend it heft.
Bombastic whiz-bang fun.Pub Date: June 11, 2024
ISBN: 9780593717394
Page Count: 320
Publisher: Putnam
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
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