Literary fast food: It’s tasty enough, but it’s probably not so good for you, with or without the lumps of coal.
“I want all the boys to sit up straight and notice, and not just my ass.” Yup, there’s a new sheriff in town, and she’s come to bring down Big Coal—and maybe strut her stuff, too.
Grisham (Sycamore Row, 2013, etc.) has long proved himself to be a trustworthy provider of legal thrillers—formulaic, to be sure, and tossed-off, yes, but delivering the goods if you’re not too particular about the niceties of style. He is also uncommonly timely and topical. This book’s no exception: Our heroine is a bright young Ivy Leaguer newly furloughed, in the wake of the Lehman Brothers collapse, from Big Law up on Wall Street. The deal: The company might call her back in a year if she uses the time to be a do-gooder somewhere in the real world. The real world turns out to be a hardscrabble coal patch in Appalachia, where traditions count, big dogs rule and, as Grisham portentously writes, “there was no hurry in burying the dead.” Not in cold weather, anyway, and the little town where Samantha finds herself is appropriately chilly and gloomy, the kind of place where black lung disease floats in the air along with the bullets from the goon squad. The good guys are few, the bad guys many, and those baddies are busily doing bad things wherever they can: poisoning streams and wells, killing teenage girls with their big trucks, murdering folks who get in their way. Can Samantha save the day? Sure, if she can only disentangle herself from the arms of the requisite dreamboat and the tentacles of the darkly named Krull. Grisham is good as always on matters of legal procedure and local color; as one character notes, sagely, “When you sue a coal company in Appalachia you can’t always count on an unbiased jury.” Still, the reader can’t help but feel that we’ve been here before.
Literary fast food: It’s tasty enough, but it’s probably not so good for you, with or without the lumps of coal.Pub Date: Oct. 21, 2014
ISBN: 978-0-385-53714-8
Page Count: 384
Publisher: Doubleday
Review Posted Online: Sept. 17, 2014
Kirkus Reviews Issue: Oct. 1, 2014
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Chavez delivers a fraught if flawed page-turner that attempts too many twists.
A good Samaritan incurs a psychopath’s wrath in this debut thriller.
Veterinarian Cassie Larkin is heading home after a 12-hour shift when someone darts in front of her car, causing her to dump her energy drink. As she pulls over to mop up the mess, her headlights illuminate a couple having a physical altercation. Cassie calls 911, but before help arrives, the man tosses the woman down an embankment. Ignoring the dispatcher’s instructions, Cassie exits the vehicle and intervenes, preventing the now-unconscious woman’s murder. With sirens wailing in the distance, the man warns Cassie: “Let her die, and I’ll let you live.” He then scrambles back to the road and flees in Cassie’s van. Using mug shots, Cassie identifies the thief and would-be killer as Carver Sweet, who is wanted for poisoning his wife. The Santa Rosa police assure Cassie of her safety, but the next evening, her husband, Sam, vanishes while trick-or-treating with their 6-year-old daughter, Audrey. Hours later, he sends texts apologizing and confessing to an affair, but although it’s true that Sam and Cassie have been fighting, she suspects foul play—particularly given the previous night’s events. Cassie files a report with the cops, but they dismiss her concerns, leaving Cassie to investigate on her own. After a convoluted start, Chavez embarks on a paranoia-fueled thrill ride, escalating the stakes while exploiting readers’ darkest domestic fears. The far-fetched plot lacks cohesion and relies too heavily on coincidence to be fully satisfying, but the reader will be invested in learning the Larkin family’s fate through to the too-pat conclusion.
Chavez delivers a fraught if flawed page-turner that attempts too many twists.Pub Date: Feb. 18, 2020
ISBN: 978-0-06-293617-2
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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