Few won’t wish they were riding in Mitchell’s slipstream, sharing in all the sun and stories and places, the wine and the...
The exquisite chronicler of Scratch Flat, Massachusetts, rolls far afield in this gladdening excursion that follows the emerging of spring into summer from Spain to the Hebrides.
Mitchell (Trespassing, 1998, etc.) follows a bicycle journey he took in the early 1960s from Cadiz, Spain, to the Isle of Lewis in Scotland, starting on the vernal equinox and ending on the summer solstice. The author is a sensualist, a lover of literature, deep time, and old night, and his ramble is tailor-made to feed those passions. He follows the lengthening days, the blessings of the sun after the winter months, and approaches the pilgrimage in the spirit of a pagan oblate—he is taken with “the richness of ancient rituals and primal gods and goddesses” and is well versed in the sun’s symbolism and myths; indeed, there are enough mythological tales here—Helios to Ra to Sol—to keep even Edith Hamilton happy, and his curiosity leads him down the strange paths of Mithraism, Aztec sacrifices, and stone circles. But it’s his willingness to stop and smell the flowers that makes him such a companionable writer. He’s always ready to stop for a coffee or to shuffle off into the greenwood just to poke around; always ready to take a long gander at a stonechat or chaffinch or jackdaw. He never met a bed of bluebells that wasn’t made the better by the taking of a nap in their midst, and there’s always time to investigate a megalith. Give him a good meal and a weird conversation, give him the back lanes (“At Crow I skirted the town of Ringwood, taking a little country road”—as if Ringwood were Calcutta), allow him to dally and be diverted: “It was here, during these short excursions from my excursion, that I came to better appreciate the landscape.”
Few won’t wish they were riding in Mitchell’s slipstream, sharing in all the sun and stories and places, the wine and the food.Pub Date: May 7, 2002
ISBN: 1-58243-136-1
Page Count: 280
Publisher: Counterpoint
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2002
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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