by John Hatcher ‧ RELEASE DATE: June 1, 2008
Curiously leaden, achieving neither the gravitas of history nor the liveliness of fiction.
Wan, long-winded “docudrama” about a rural parish in mid-14th-century England devastated by the plague.
In order to explore the “intimate social history” of villagers at the time of the Black Death, Hatcher (Economic and Social History/Cambridge Univ.) chose Walsham le Willows in Suffolk because of its exceptionally good local records, then filled in the gaps with a fictional narrative employing as protagonist a parish priest he calls Master John. The author moves chronologically, from mid-1345, when Walsham’s 1,000-odd inhabitants struggled to subsist in a makeshift agrarian economy, through 1350, when the long-feared pestilence decimated half the hamlet, to the weeks and months after, when the survivors took stock. Each chapter is introduced by a factual précis, then the main text takes the reader through the paces of Master John’s duties in ministering to his flock, particularly in assisting the dying sinner to “a good death.” As he became privy to testimonies of the plague’s encroachment on England, Master John had to address his parishioners’ growing panic and assure them this scourge of God could be mollified by confession, penitential processions, pilgrimages to sacred sites and Masses. Moreover, he relayed chilling missives from the bishops and King Edward III on how to save and protect the realm. Hatcher effectively portrays the collective hysteria that gripped the land; when the disease finally struck around Easter 1349, people frequently refused to go near the dying and dead. Once the plague subsided by summer, it “let loose powerful forces that threatened upheaval in the social order, affecting not just peasants and laborers but clergy and lords.” It wasn’t all bad news: Survivors sorted inheritances, and wages soared, offering new opportunities, especially for women.
Curiously leaden, achieving neither the gravitas of history nor the liveliness of fiction.Pub Date: June 1, 2008
ISBN: 978-0-306-81571-3
Page Count: 330
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2008
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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