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MAPPING THE FARM

THE CHRONICLE OF A FAMILY

The 115-year history of a family farm reveals few skeletons, too many sidetracks, and the decline of an American institution. Writing of birthing livestock and harvesting fields with a straightforward ``the nights grow longer'' brand of simplicity, Hildebrand (Reading the River, 1988) explores the farmland existence of four generations of his wife's family in a narrative with more grandparents, cousins, and in-laws than you can shake a stick at. Plenty of potentially enjoyable tales are set up, only to fall flat at the payoff. It's Hildebrand's literary misfortune that he married into a family that suffered a drought of extreme tragedies or spectacular successes. He seems a bit of an outsider to this clan as well and so focuses on concrete events rather than risk exploring the internal lives of his wife's parents and sibs. Additionally, the book tackles a bevy of historical topics as diverse as the Irish migration, the Agricultural Allotment Act, 4-H Clubs, and WW IIera flight training. Because of this, and with so much familial history being chronicled, the emotional attachment the reader wishes to place on the endangered land and on Ed, the weakened patriarch who has shared too little of his wisdom with his offspring, is deflected, and one must parcel attention in several directions at once. Were this Dickens's England, such an effort might prove worthwhile; but this is Rochester, Minn., where, as the dairy princess in a gopher celebration parade understands, ``once you've been paraded down Main Street in your prom dress there's nothing much left to do except leave.'' A less than gripping account of a farm family muddling its way through the century as tradition gives way to compromise. (8 pages photos, not seen)

Pub Date: June 12, 1995

ISBN: 0-679-43009-1

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1995

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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