A good yarn, but might have made a better chapter than a full-length monograph.
The unlikely—and perhaps slightly overblown—tale of how Teddy Roosevelt flexed presidential muscle to save the fledgling game of football.
The story of football’s rise from a haphazardly organized game dominated by Yale and Harvard to America’s favorite sport is a fascinating one, requiring the contributions of many men—not the least of whom, writes National Review correspondent Miller (The First Assassin, 2010, etc.), was President Roosevelt. An advocate of the “strenuous life” that helped him overcome childhood asthma, the president admired those who sacrificed their bodies on the playing field and felt it was the job of America’s universities to spend as much time molding young men’s bodies as they did minds. Football’s popularity grew in lockstep with Roosevelt’s political success, though the game became increasingly controversial, the result of a style of play that led to numerous deaths and countless debilitating injuries. Trailblazing Harvard president Charles Eliot, himself a firm believer in exercise, crusaded against football as a dangerous endeavor that encouraged deception and cruelty, making him the perfect foil for Harvard grad Roosevelt. Even as Eliot led efforts to ban football, Roosevelt called the game’s most influential coaches—including legendary Yale coach Walter Camp—to a White House summit to discuss the state of the game. Though the tangible results of that meeting—a joint statement by the coaches in which they promised to be more vigilant in upholding the rules of fair play—were minimal, the author contends that the meeting had a profound impact on the game’s development and set Roosevelt up as a behind-the-scenes influencer who ensured the game’s survival long enough for new rules (including the forward pass) to make it safer. It’s a worthy addendum to the story of football’s rise, even though the case for Roosevelt as a cornerstone of its development feels overstated.
A good yarn, but might have made a better chapter than a full-length monograph.Pub Date: April 12, 2011
ISBN: 978-0-06-174450-1
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
BOOK REVIEW
BOOK REVIEW
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
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