Osborn's (The Paper Chase, 2004, etc.) fly-on-the-wall approach offers a certain voyeuristic pleasure but seems primarily...
Nine months in marriage counseling with a 30-something California couple.
"This isn't a marriage where someone is beating the other one up. Or where someone is gambling away everything the family owns, or someone can't hold a job because they're drunk or high. As a matter of fact, this is a marriage that, in material terms, has been very successful." Nonetheless, Steve, a boyishly handsome, successful partner at a private equity firm, has been cheating on Gretchen, “a beautiful, smart ice princess" and a tenured English professor. By the time the two arrive in therapy with a counselor named Sandy, Gretchen has already begun her own affair, rented an apartment, taken the kids and moved out. In dialogue-heavy chapters set entirely in Sandy's office, narrated from her therapeutic point of view, their troubles and habitual communication problems are revealed, diagnosed, and discussed at length. "I want you to try an exercise," Sandy tells Steve. "When Gretchen says something, I want you to imagine she means the opposite of what she is saying." While Gretchen perceives Sandy as siding with Steve, who really just wants to be forgiven and get back together, Sandy explains that she sides with the marriage, as personified by an empty green chair that doesn't match anything else in the office. "I keep that chair in the office to remind me that I speak for the marriage," Sandy tells Gretchen. "Sandy, you are sounding delusional," Gretchen replies. "You're going to tell me what my nonexistent marriage is saying from a chair it isn't in?" Will Sandy's methods work? Will Steve and Gretchen give up their extramarital liaisons and reconnect with their love? What is that chair really saying?
Osborn's (The Paper Chase, 2004, etc.) fly-on-the-wall approach offers a certain voyeuristic pleasure but seems primarily designed for didactic effect.Pub Date: Oct. 2, 2018
ISBN: 978-0-374-19202-0
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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Expect readers of this unpleasant hate poem to Budapest to cancel any plans they've made to travel there.
Budapest in 1995 is supposedly on the brink of post-communist economic revival, but the American expats who inhabit Keener’s second novel (Night Swim, 2013) can neither adjust to the city’s deep-seated complexity nor escape the problems they hoped to leave back home.
Annie and Will arrive with their adopted baby, Leo, so Will can pursue a startup creating “communication networks.” Unfortunately, Will, as seen through Annie’s eyes, is a research nerd with little aptitude for entrepreneurship. Annie hopes to escape what she considers intrusive involvement by the social worker who arranged Leo’s adoption. A one-time social worker herself (an irony Annie misses), she makes ham-handed attempts to help the locally hated Roma population. After eight months, Will has yet to close a deal when his former boss Bernardo, a glad-hander Annie doesn’t trust, shows up with an enticing offer. Bernardo hires Stephen, another expat, who has moved to Budapest to connect with his parents’ homeland; they fled Hungary for America after the 1956 uprising but never recovered emotionally. The story of his father’s suicide touches a chord in Annie, herself haunted by a tragic accident that destroyed her family’s happiness when she was 4. Meanwhile, 76-year-old Edward is in Budapest to track down his late daughter Deborah’s husband, Van. Edward believes Van murdered Deborah though the official cause of death was related to her multiple sclerosis. The only character besides Annie with a revealed inner life, Edward is embittered by his experience as a Jewish WWII soldier. He disapproved of Deborah’s hippie lifestyle and her attraction to men he considered losers, like Van. Over Will’s objections, and the readers’ disbelief, bleeding-heart Annie agrees to help Edward find Van. A bad idea. As for Budapest itself—polluted, in physical disrepair, plagued by an ugly history, and populated by rude, corrupt, and bigoted locals—the author strongly implies that the misery and mayhem Annie experiences are the city’s fault.
Expect readers of this unpleasant hate poem to Budapest to cancel any plans they've made to travel there.Pub Date: Nov. 14, 2017
ISBN: 978-1-61620-497-6
Page Count: 352
Publisher: Algonquin
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.
A Christian woman and a Jewish man fall in love in medieval France.
In 1088, a Christian girl of Norman descent falls in love with the son of a rabbi. They run away together, to disastrous effect: Her father sends knights after them, and though they flee to a small southern village where they spend a few happy years, their budding family is soon decimated by a violent wave of First Crusaders on their way to Jerusalem. The girl, whose name becomes Hamoutal when she converts to Judaism, winds up roaming the world. Hertmans’ (War and Turpentine, 2016, etc.) latest novel is based on a true story: The Cairo Genizah, a trove of medieval manuscripts preserved in an Egyptian synagogue, contained an account of Hamoutal’s plight. Hamoutal makes up about half of Hertmans’ novel; the other half is consumed by Hertmans’ own interest in her story. Whenever he can, he follows her journey: from Rouen, where she grew up, to Monieux, where she and David Todros—her Jewish husband—made a brief life for themselves, and all the way to Cairo, and back. “Knowing her life story and its tragic end,” Hertmans writes, “I wish I could warn her of what lies ahead.” The book has a quiet intimacy to it, and in his descriptions of landscape and travel, Hertmans’ prose is frequently lovely. In Narbonne, where David’s family lived, Hertmans describes “the cool of the paving stones in the late morning, the sound of doves’ wings flapping in the immaculate air.” But despite the drama of Hamoutal’s story, there is a static quality to the book, particularly in the sections where Hertmans describes his own travels. It’s an odd contradiction: Hertmans himself moves quickly through the world, but his book doesn’t quite move quickly enough.
Constructed with delicacy, lyricism, and care, Hertmans’ novel still feels occasionally static.Pub Date: Feb. 4, 2020
ISBN: 978-1-5247-4708-4
Page Count: 304
Publisher: Pantheon
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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