Good reading on a variety of topics by an observant band of essayists.
The current iteration in the venerable franchise, edited this year by essayist Sullivan (Pulphead, 2011, etc.), who contributes a thoughtful introduction on the art of the essay since it was defined by Montaigne.
This year’s collection is as eclectic as possible, considering recent trends toward the self-reverential, and most of the 21 contributions (arranged alphabetically by author) offer some valuable insights and lessons. The majority of the essays are written by players in their own stories, and several are droll and sagacious. “Marriage gives you someone to blame—for just about everything,” writes Timothy Aubry in “A Matter of Life and Death.” In her New Yorker essay “Thanksgiving in Mongolia,” Ariel Levy writes, “Even if you are not Robinson Crusoe in a solitary fort, as a human being you walk this world by yourself. But when you are pregnant you are never alone.” James Wood is “dismayed by the plagiarism of inheritance.” While some of the essays display dry wit, others offer moist emotion. Barry Lopez tells a harrowing tale of cruel molestation. Wells Tower brightly chronicles his visit to Burning Man with his father. Leslie Jamison describes victims of what seems to be an imaginary disease. Zadie Smith considers the rarity of true joy. Paul West presents a lighthearted piece on being introduced at a public lecture. More audacious—and only partly successful—is Lawrence Jackson’s “Slickheads,” a pulsating story of ghetto life that occasionally indulges in unrepresentative vocabulary. Self-effacing Baron Wormser writes an overwrought sketch of Willem de Kooning that recalls the passion of the late John Dos Passos. A pervading theme is loss—of faith, self, youth, life. Other contributors to this worthy and diverse assemblage are Yiyun Li, Emily Fox Gordon and the ubiquitous Dave Eggers.
Good reading on a variety of topics by an observant band of essayists.Pub Date: Oct. 7, 2014
ISBN: 978-0544309906
Page Count: 272
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: Sept. 10, 2014
Kirkus Reviews Issue: Oct. 1, 2014
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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