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THE BEST AMERICAN ESSAYS 2014

Name: THE BEST AMERICAN ESSAYS 2014
Author: John Jeremiah Sullivan
ISBN: 978-0544309906

edited by John Jeremiah Sullivan ‧ RELEASE DATE: Oct. 7, 2014

Good reading on a variety of topics by an observant band of essayists.

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The current iteration in the venerable franchise, edited this year by essayist Sullivan (Pulphead, 2011, etc.), who contributes a thoughtful introduction on the art of the essay since it was defined by Montaigne.

This year’s collection is as eclectic as possible, considering recent trends toward the self-reverential, and most of the 21 contributions (arranged alphabetically by author) offer some valuable insights and lessons. The majority of the essays are written by players in their own stories, and several are droll and sagacious. “Marriage gives you someone to blame—for just about everything,” writes Timothy Aubry in “A Matter of Life and Death.” In her New Yorker essay “Thanksgiving in Mongolia,” Ariel Levy writes, “Even if you are not Robinson Crusoe in a solitary fort, as a human being you walk this world by yourself. But when you are pregnant you are never alone.” James Wood is “dismayed by the plagiarism of inheritance.” While some of the essays display dry wit, others offer moist emotion. Barry Lopez tells a harrowing tale of cruel molestation. Wells Tower brightly chronicles his visit to Burning Man with his father. Leslie Jamison describes victims of what seems to be an imaginary disease. Zadie Smith considers the rarity of true joy. Paul West presents a lighthearted piece on being introduced at a public lecture. More audacious—and only partly successful—is Lawrence Jackson’s “Slickheads,” a pulsating story of ghetto life that occasionally indulges in unrepresentative vocabulary. Self-effacing Baron Wormser writes an overwrought sketch of Willem de Kooning that recalls the passion of the late John Dos Passos. A pervading theme is loss—of faith, self, youth, life. Other contributors to this worthy and diverse assemblage are Yiyun Li, Emily Fox Gordon and the ubiquitous Dave Eggers.

Good reading on a variety of topics by an observant band of essayists.

Pub Date: Oct. 7, 2014

ISBN: 978-0544309906

Page Count: 272

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Sept. 10, 2014

Kirkus Reviews Issue: Oct. 1, 2014

Categories:

GENERAL NONFICTION

- BOOK REVIEW
PULPHEAD
by John Jeremiah Sullivan

- BOOK REVIEW
BLOOD HORSES
by John Jeremiah Sullivan

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.