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SICK SOULS, HEALTHY MINDS

HOW WILLIAM JAMES CAN SAVE YOUR LIFE

A book in which Kaag further carves out his niche in philosophy: personal, practical, and crucial.

A biography and exegesis of William James that serves as self-help for the philosophically inclined.

In his latest, Kaag (Philosophy/Univ. of Massachusetts, Lowell; Hiking With Nietzsche: On Becoming Who You Are, 2018, etc.) notes that he began this book worse off than during his two previous philosophical memoirs. He was in the middle of a divorce, “had just watched my estranged, alcoholic father die,” and was spending much of his time in bed sleeping and reading James. That activity, however, isn’t a symptom of depression the way reading Schopenhauer might be. For Kaag, it proved to be a vital salve. “I think William James’s philosophy saved my life. Or, more accurately, it encouraged me to not be afraid of life.” If so, it wouldn’t be the first life James saved. His entire philosophy, writes the author, “from beginning to end, was geared to save a life, his life.” In this brief treatise, Kaag seeks to “offer the reader James’s existential life preserver.” This represents something of a formal departure for Kaag. Whereas American Philosophy and Hiking With Nietzsche were philosophical memoirs, this book is self-help philosophy that draws selectively from autobiography. This inversion makes it a more demanding text than its predecessors. If readers are to gather solace from James, it will come only from joining Kaag in thinking through his philosophy: responding to the challenge of scientific determinism; reflecting on the paradox of James’ famous assertion that “my first act of free will shall be to believe in free will”; and attempting to pluck the thorn of relativism from pragmatism’s side. Luckily, Kaag’s reading of James is as elucidating as readers have come to expect from him. Once again, he writes in a clear, focused, and winningly self-aware style that makes friends of James and himself for anyone who wonders if life is worth living.

A book in which Kaag further carves out his niche in philosophy: personal, practical, and crucial.

Pub Date: March 17, 2020

ISBN: 978-0-691-19216-1

Page Count: 160

Publisher: Princeton Univ.

Review Posted Online: Dec. 1, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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