Wonky, as befits the author, but a smart look at not just his life, but also our times.
Diplomat, activist, and former presidential candidate Kerry (A Call to Service: My Vision for a Better America, 2003, etc.) recounts a long life of national service.
First came the Swift boat, then the swift boating. The author explains the title, in relation to his service in Vietnam, as “an expression of gratitude for survival where others did not make it.” Of that experience, Kerry quietly notes, “I can’t say it was a process devoid of moral hazards.” Those hazards, in turn, prompted Kerry to turn against the war, running for Congress as an anti-war candidate even as he was still in uniform, helped along by an understanding admiral. The author evinces some bitterness on the whole matter of the war, and especially Robert McNamara, one of its architects, who “left the battlefield to slink off to the World Bank” and was never adequately called to task for his crimes. Kerry writes ably of the sausage-making aspects of politics, noting the importance of crossing the aisle to actually get things done, as when he and John McCain fought against bête noire Ted Sampley, “a self-appointed POW activist who sold T-shirts, flags, and newsletters on the Mall…[and who] profited grossly from the myth that prisoners were still being held in tiger cages in Vietnam.” Sampley would return in the swift boating business that cost Kerry votes in the presidential run of 2004—but less so, the author suggests, than voter fraud in Ohio: “I wonder how many countries have elections in which machines are privately owned and controlled,” he writes, “where the coding for tallying cannot be inspected or verified because it is ‘proprietary information.’ " Given that such books often signal a political campaign in the offing, one wonders whether Kerry is contemplating another run for office—despite protestations to the contrary. Whatever the case, this memoir makes for fine reading for politics junkies, especially those with an interest in how policy is made.
Wonky, as befits the author, but a smart look at not just his life, but also our times.Pub Date: Sept. 4, 2018
ISBN: 978-1-5011-7895-5
Page Count: 640
Publisher: Simon & Schuster
Review Posted Online: Aug. 12, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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