A somewhat standard-issue premise effectively commanded by a fan of the genre.
In Lallier’s first flight in a new military SF series, humans in deep space go from joint Earth-alien war games to the real thing when they answer a distress signal.
This story is set in 2144, when humankind is a discounted, junior member of a vast space “Commonwealth” of spacefaring civilizations. They’re somewhat friendly with the Tyndal, blue-skinned humanoids who superficially resemble earthlings and play a mentoring role; however, they often come across as curt, aloof, and suspicious due to their mystical and highly logical nature. Their war games are strained when the humans realize that their Tyndal opponents have been cheating by using long-embedded surveillance devices. Then the humans’ instruments detect a weak distress signal, indicating an attack in territory that’s under the control of the Ssenn—a race of headless quadrupeds whose wisdom and technology even the Tyndals respect. At the insistence of the Earth’s Regent, the war games’ ships divert to Ssenn space on a rescue mission—one that not only strains treaties, but also becomes a violent conflict with alien raiders, and self-doubting Rear Adm. Jason Ngene is in the thick of it. The author specifically credits the original 1960s Star TrekTV series as a major influence, and the human-Tyndal relationship here certainly recalls the one between humans and Vulcans on that classic show. However, the material also calls to mind a number of other favorite SF franchises with its mix of interplanetary diplomacy, derring-do, and troopship maneuvers, including David Weber’s Honor Harrington novels, Larry Niven’s tales of the Man-Kzin wars, and Ian Douglas’ Star Carrier series. The essential thrust of the narrative is also familiar for the subgenre—a crisis test in which Earth soldiers must exhibit proper courage, brains, and judgment to prove they can take their place among more advanced alien cultures. But despite its familiarity, Lallier executes the mission successfully, and indeed, once things get underway the pace doesn’t let up. The plotline, which emphasizes duty, ethical choice, and sacrifice, avoids any romance or unexpected twists, but the author manages to wrap up this installment with a satisfying conclusion.
A somewhat standard-issue premise effectively commanded by a fan of the genre.Pub Date: Oct. 30, 2019
ISBN: 978-1-70698-732-1
Page Count: 314
Publisher: Self
Review Posted Online: July 29, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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