Lescroart’s habitual fondness for hot-button–issue thrillers (Treasure Hunt, 2010, etc.) sets an irresistible hook. But...
Ten years after his conviction, a legal technicality sets a murderous rapist free, with predictably disastrous results.
Everyone who matters knows that Roland Curtlee raped at least three Guatemalan servants in his wealthy parents’ employ and killed one of them. The moment a San Francisco judge sets him free on the grounds that the buttons with photos of Dolores Sandoval that supporters of the victim wore to the courthouse were unreasonably prejudicial, the violence resumes. Felicia Nuñez, another domestic who testified against him, is strangled and her apartment set ablaze. Even though her corpse is naked except for her shoes—a signature preference of Ro’s—there’s no physical evidence linking him to the crime scene. Nor is there any hard evidence when psychiatrist Janice Durbin, the wife of the jury foreman who argued for Ro’s conviction, is found dead under remarkably similar circumstances. Since rookie D.A. Wes Farrell, who’d been convinced that it would amount to special pleading to encourage a local judge to deny Ro’s bail application, appears helpless, homicide chief Abe Glitsky takes it on himself to put pressure on Ro, a tactic that only gives Ro’s father, newspaper publisher Cliff Curtlee, new ammunition against what his pet columnist Sheila Marrenas calls the police state Glitsky represents. Aided by Eztli, the Curtlee super-butler, Ro meanwhile continues his reign of terror, killing an investigator who’s tailing him, slashing the paintings of Janice’s distraught husband Michael, poisoning Farrell’s dog and setting his sights on the one remaining rape victim who testified in his original trial.
Lescroart’s habitual fondness for hot-button–issue thrillers (Treasure Hunt, 2010, etc.) sets an irresistible hook. But although the plot is a barn-burner, it never offers any special insight on how or whether to keep convicted criminals from going free. Not that enraptured readers will notice.Pub Date: Jan. 4, 2011
ISBN: 978-0-525-95176-6
Page Count: 420
Publisher: Dutton
Review Posted Online: Oct. 19, 2010
Kirkus Reviews Issue: Nov. 15, 2010
With any luck, the Nazi hunting will go on for a sequel or two.
Nazi hunters team up with a former bomber pilot to bring a killer known as the Huntress to justice.
In postwar Europe, Ian, a British war correspondent with a vendetta, and his American sidekick, Tony, have set up a shoestring operation to catch the war criminals who seem to be not just slipping, but swarming through the cracks. The same set of circumstances that led Ian to enter a marriage of convenience with Nina, a Siberian former bomber pilot, has also given both common cause: to chase down Lorelei Vogt, a Nazi known as the Huntress, who, by her lakeside lair in Poland, trapped and killed refugees, many of them children. Lorelei’s mother, blandished by Tony, reveals that her daughter immigrated to Boston. Meanwhile, Jordan, an aspiring photographer living in Boston with her widowed antiques-dealer father, Dan, welcomes a new stepmother, Austrian refugee Anneliese, and her 4-year-old daughter, Ruth. Jordan soon grows suspicious of Dan’s new bride: A candid shot captures Anneliese’s furtive “cruel” glance—and there’s that swastika charm hidden in her wedding bouquet. However, Anneliese manages to quell Jordan’s suspicions by confessing part of the truth: that Ruth is not really her daughter but a war orphan. That Jordan’s suspicions are so easily allayed strains credulity, especially since the reader is almost immediately aware that Anneliese is the Huntress in disguise. The suspense lies in how long it’s going to take Ian and company to track her down and what the impact will be on Jordan and Ruth when they do. Well-researched and vivid segments are interspersed detailing Nina’s backstory as one of Russia’s sizable force of female combat pilots (dubbed The Night Witches by the Germans), establishing her as a fierce yet vulnerable antecedent to Lisbeth Salander. Quinn’s language is evocative of the period, and her characters are good literary company.
With any luck, the Nazi hunting will go on for a sequel or two.Pub Date: Feb. 26, 2019
ISBN: 978-0-06-274037-3
Page Count: 560
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
Middling among the distinguished author’s score of thrillers. New fans hooked by this one will be happy to know that his...
Downsized from the Los Angeles Times, crime reporter Jack McEvoy decides to ride one last big story to the moon.
There’s no mystery about who suffocated stripper Denise Babbit and stuffed her corpse into the trunk of her car, since Alonzo Winslow, 16, confessed to the murder after the LAPD found his fingerprint on the car’s mirror. But when Alonzo’s mother—or maybe it’s his grandmother, or both—nags just-fired Jack to look into the case, he quickly realizes that Alonzo’s confession isn’t a confession at all. And Angela Cook, the twinkie barracuda Jack’s been asked to groom as his replacement, alerts him to the earlier murder of Las Vegas showgirl Sharon Oglevy that has all the earmarks of this one, even though her ex-husband’s already locked up for it. Clearly there’s a serial killer at work, and clearly, though Jack doesn’t realize it, it’s Wesley Carver, a computer-security expert whose ability to track everyone on earth through cyberspace makes him uniquely sensitive to who might be on his case, and uniquely empowered to neutralize them. After losing his bank balance and his credit cards to identity theft, however, Jack is rescued by Rachel Walling, the FBI agent whose torrid affair with him enlivened his last big story (The Poet, 1996). The ensuing cat-and-mouse game, duly played out in chapters alternately presented from the viewpoints of Jack and Carver, is accomplished but not especially suspenseful for readers who’ve seen it before. Despite his cyber-powers, Carver isn’t an especially scary villain, nor does Jack shine as a sleuth. But Connelly (The Brass Verdict, 2008, etc.), who’s nothing if not professional, keeps the twists coming and provides column-inches of background expertise—perhaps more than the story needs—on the hard business of hard news and a realistic preview of Jack’s likely fate.
Middling among the distinguished author’s score of thrillers. New fans hooked by this one will be happy to know that his backlist is even richer.Pub Date: May 26, 2009
ISBN: 978-0-316-16630-0
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2009
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