A hilarious and pertinent parody to help pass the time until the November election decides the nation’s fate.
Lithgow continues his poetic skewering of “a POTUS whose pants are routinely on fire.”
In this clever follow-up to Dumpty: The Age of Trump in Verse (2019), the actor and author unleashes more razor-sharp satirical wit, lampooning the second half of “our distractible,” Twitter-obsessed chief’s presidential term. Lithgow begins with the impeachment in late 2019 and moves through the litany of lies and blunders that have formed the Trump administration’s teetering foundation. Beyond the primary target, the author also draws farcical caricatures of fumbling politicos like senior advisers and Trump attorney Rudy Giuliani (“filled with rage and babbling bluster, / ‘America’s Mayor’ has lost his luster”). Lithgow renders Mitch McConnell as a manipulative, suffocatingly partisan reptile: “By keeping his party in line and tight-knitted, / The Tortoise prevailed and got Dumpty acquitted / But by treating the trial as a legal blood sport, / He rendered the Senate a kangaroo court.” Political strategist and a man Lithgow calls the “dirty trickster, artful dodger,” Roger Stone gets a full-page poem and makes good company with another Trump blunder: “substituting his Sharpie for science” after mistracking Hurricane Dorian. The cover art and interior line drawings provide suitable graphic accompaniment to the text. As with the first volume, this one is a short, succinct, laugh-out-loud affair, and no one in the Trump administration is above Lithgow’s eagle-eyed scrutiny. Unwilling to leave even readers with limited political knowledge behind, the author also includes brief profiles of the politicians that he eviscerates. All the snarky novelty doesn’t reveal anything new nor untrue; rather, Lithgow whisks the obvious into a creatively brilliant distraction that most readers will enjoy. Even loyal Trumpers may find a stray chuckle for the ridiculousness and the current administration’s political circus.
A hilarious and pertinent parody to help pass the time until the November election decides the nation’s fate.Pub Date: Sept. 29, 2020
ISBN: 978-1-79720-946-3
Page Count: 104
Publisher: Chronicle Prism
Review Posted Online: July 21, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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