A hilarious and pertinent parody to help pass the time until the November election decides the nation’s fate.
Lithgow continues his poetic skewering of “a POTUS whose pants are routinely on fire.”
In this clever follow-up to Dumpty: The Age of Trump in Verse (2019), the actor and author unleashes more razor-sharp satirical wit, lampooning the second half of “our distractible,” Twitter-obsessed chief’s presidential term. Lithgow begins with the impeachment in late 2019 and moves through the litany of lies and blunders that have formed the Trump administration’s teetering foundation. Beyond the primary target, the author also draws farcical caricatures of fumbling politicos like senior advisers and Trump attorney Rudy Giuliani (“filled with rage and babbling bluster, / ‘America’s Mayor’ has lost his luster”). Lithgow renders Mitch McConnell as a manipulative, suffocatingly partisan reptile: “By keeping his party in line and tight-knitted, / The Tortoise prevailed and got Dumpty acquitted / But by treating the trial as a legal blood sport, / He rendered the Senate a kangaroo court.” Political strategist and a man Lithgow calls the “dirty trickster, artful dodger,” Roger Stone gets a full-page poem and makes good company with another Trump blunder: “substituting his Sharpie for science” after mistracking Hurricane Dorian. The cover art and interior line drawings provide suitable graphic accompaniment to the text. As with the first volume, this one is a short, succinct, laugh-out-loud affair, and no one in the Trump administration is above Lithgow’s eagle-eyed scrutiny. Unwilling to leave even readers with limited political knowledge behind, the author also includes brief profiles of the politicians that he eviscerates. All the snarky novelty doesn’t reveal anything new nor untrue; rather, Lithgow whisks the obvious into a creatively brilliant distraction that most readers will enjoy. Even loyal Trumpers may find a stray chuckle for the ridiculousness and the current administration’s political circus.
A hilarious and pertinent parody to help pass the time until the November election decides the nation’s fate.Pub Date: Sept. 29, 2020
ISBN: 978-1-79720-946-3
Page Count: 104
Publisher: Chronicle Prism
Review Posted Online: July 21, 2020
Kirkus Reviews Issue: Aug. 15, 2020
A smart, rewarding consideration of football’s popularity—and eventual downfall.
A wide-ranging writer on his football fixation.
Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.
A smart, rewarding consideration of football’s popularity—and eventual downfall.Pub Date: Jan. 20, 2026
ISBN: 9780593490648
Page Count: 304
Publisher: Penguin Press
Review Posted Online: Oct. 24, 2025
Kirkus Reviews Issue: Dec. 1, 2025
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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