Rasping, succinct, tantalizing, and psychologically complex, as well as powerfully visual, this superb novel—heads up out...
New fantasy from the author of The Dragon Waiting (1983) and the science-fictional Growing Up Weightless (1993), of the subgenre known as elfpunk: urban fantasy in which Elfland has somehow intruded itself into the modern world, with astonishing and often bizarre consequences. When Elfland connected to the world’s major cities, Miami was nuked, but elsewhere an uneasy accommodation was reached; in the borderlands known as Shadow, elves are mortal, and both technology and magic work erratically. Danny Holman, an emergency medical technician heading for Chicago, witnesses a gangland-style shooting, and stops to save the life of an injured woman. Impressed by his competence, the powerful and mysteriously well-connected businessman/entrepreneur Mr. Patrise offers him a job, renaming him (since Danny's birthday is on Halloween) Doc Hallownight. Mr. Patrise employs humans (like Hallow, and the magic-touched Stagger Lee) as well as elves such as Cloudhunter. Learning quickly, Hallow plunges into a dazzling swirl of beautiful women, curses, magic, elf cops, Vampires addicted to elf blood, ethereal entertainment, treachery, and gangland wars. Amid a nightmarish struggle against the foully alluring, megalomaniac elf, Whisper-Who-Dares, Hallow increasingly becomes the focus of weird plots. But can he survive Whisper's assassination attempts long enough to affect the course of events?
Rasping, succinct, tantalizing, and psychologically complex, as well as powerfully visual, this superb novel—heads up out there!—would make an equally magnificent movie.Pub Date: Jan. 1, 2001
ISBN: 0-312-85545-1
Page Count: 224
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
BOOK REVIEW
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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