A sharp mystery with a bevy of complicated characters and puzzle pieces.

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BANCO DE ALABAMA

A private investigator trying to prove the innocence of a woman charged with murder in Mobile, Alabama, finds himself unwittingly caught in a conspiracy leading to further deaths in Sloke’s (Sam and the O’Malley Brothers, 2013) thriller.

PI Jack “Stace” Stacey’s job for attorney/friend Carl Anthony is straightforward: look into the evidence against Carl’s client, Maria Martin. Cops have arrested Maria, a socialite, for the bludgeoning death of her accountant husband, Forrest. Carl thinks the evidence is flimsy, and Stace is inclined to agree; right away, he questions a photo of Forrest in bed with a paramour because the PI himself has never caught adulterers in such a compromising position. Then again, he soon learns Maria’s withholding pertinent info, which could be a sign of her guilt. But while Stace makes it clear his investigation involves only Maria and not tracking down a potential murderer, things get more personal when hit men target him and his family. Suddenly, the FBI joins the case, having linked the hit men to a money-laundering operation in Mobile. Stace, a former FBI agent, is now working with the feds and local PD to stop rampant criminal activity, including more murders. Sloke’s entertaining novel piles on mysteries; one murder suspect becomes a murder victim. Good and bad guys slowly accumulate, but the author shrewdly keeps all characters and corresponding crimes well-organized, so much so that later recaps (i.e., for reporters) are largely unnecessary. Prankster Carl furnishes welcome comic relief, while other dangers boost tension, especially Stace’s braving a hurricane to get home to his wife and son. The latter allows Sloke to display his knack for descriptive passages: the PI takes an “eerily dark” ride in which simple objects like a garbage can lid are “potential lethal projectiles.” Occasional blunders, from grammatical errors to inconsistencies (Maria’s maiden name changing), are minor but still a nuisance.

A sharp mystery with a bevy of complicated characters and puzzle pieces.

Pub Date: Oct. 12, 2016

ISBN: 978-1-5371-5001-7

Page Count: 324

Publisher: CreateSpace

Review Posted Online: May 23, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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