Undeniably a lesson, it is delivered with a sense of fun; a helpful author's note describes each instrument.
When all the bands in the kingdom sound horrible, the king takes drastic action.
Individually, each musician isn't awful, but when they play together, it's excruciating. Even the royal musicians produce an unbearable sound. The king issues a proclamation: "NO MUSIC." A little piper named Piffaro decides to leave and absconds with an old dray horse, which he calls Charlemagne. On the road, they nearly collide with a mandolin player named Espresso, the fastest musician in the kingdom. He hitches a ride; later, their sensitive ears pick up the soft strains of a harp. On the side of the road sits Serena the Silent; she and her harp hop on Piffaro's wagon as well. The trio becomes a quartet when it encounters Fortissimo, a sackbut player recently voted the loudest musician in Bombardy. They're nearly away when an elderly slowpoke blocks their progress. His name is Lugubrio, plays the contrabass and increases the wagon's load to five. All play as they ride, but they are oblivious to the others. It takes wise Charlemagne to pull them up short, and get them to work together. The result is harmony. And who should ride by and hear this newly melodious band but the king? This nifty riff is greatly enhanced by Manders' bright gouache-and–colored-pencil illustrations, which give each player a distinct personality, and onomatopoeic instrument sounds that literally filled the air.
Undeniably a lesson, it is delivered with a sense of fun; a helpful author's note describes each instrument. (Picture book. 3-6)Pub Date: Dec. 20, 2011
ISBN: 978-0-547-32820-1
Page Count: 32
Publisher: Clarion Books
Review Posted Online: Nov. 1, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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