Undeniably a lesson, it is delivered with a sense of fun; a helpful author's note describes each instrument.
When all the bands in the kingdom sound horrible, the king takes drastic action.
Individually, each musician isn't awful, but when they play together, it's excruciating. Even the royal musicians produce an unbearable sound. The king issues a proclamation: "NO MUSIC." A little piper named Piffaro decides to leave and absconds with an old dray horse, which he calls Charlemagne. On the road, they nearly collide with a mandolin player named Espresso, the fastest musician in the kingdom. He hitches a ride; later, their sensitive ears pick up the soft strains of a harp. On the side of the road sits Serena the Silent; she and her harp hop on Piffaro's wagon as well. The trio becomes a quartet when it encounters Fortissimo, a sackbut player recently voted the loudest musician in Bombardy. They're nearly away when an elderly slowpoke blocks their progress. His name is Lugubrio, plays the contrabass and increases the wagon's load to five. All play as they ride, but they are oblivious to the others. It takes wise Charlemagne to pull them up short, and get them to work together. The result is harmony. And who should ride by and hear this newly melodious band but the king? This nifty riff is greatly enhanced by Manders' bright gouache-and–colored-pencil illustrations, which give each player a distinct personality, and onomatopoeic instrument sounds that literally filled the air.
Undeniably a lesson, it is delivered with a sense of fun; a helpful author's note describes each instrument. (Picture book. 3-6)Pub Date: Dec. 20, 2011
ISBN: 978-0-547-32820-1
Page Count: 32
Publisher: Clarion Books
Review Posted Online: Nov. 1, 2011
Kirkus Reviews Issue: Nov. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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