by John Marchese ‧ RELEASE DATE: April 2, 2007
On-pitch reporting documents an inspiring craft.
Reporting on the construction of one particular instrument, musician and journalist Marchese (Renovations, 2001) investigates how a box with strings attached can make such astonishingly beautiful sounds.
Before the eyes of the reporter, Brooklyn-based fiddle-maker Sam Zygmuntowicz, on a commission from violinist Eugene Drucker, fabricates a musical instrument out of spruce, maple, glue and varnish. Tradition is the keynote. Zygmuntowicz works in the centuries-old mode of Cremona’s skilled luthiers, who made the finest stringed instruments of all time. Master Stradivari, it is generally agreed, made the best of them, though to this day, no one seems to know exactly how. His ghost inhabits the workshops of the world’s luthiers. Craftsman Sam competes with old masters in his creation of a violin for Drucker. The author follows him on an edifying adventure from hewn log to work of art. Though Sam adds just a bit of innovation, the construction of the classic sound box, with its bass-bar and bridge, f-holes, fingerboard, scroll, ribs and, of course, its purfling of three layers of wood, has survived industrial revolution essentially unchanged. From start to final coat of varnish, there is no assembly line for the artisans whose professional lives are bounded by legend, myth and politics as much as by acoustic science. Marchese illustrates them all as Master Zygmuntowicz makes Drucker’s violin. Readers will be as eager as the author and the luthier to know if it satisfied the violinist.
On-pitch reporting documents an inspiring craft.Pub Date: April 2, 2007
ISBN: 0-06-001267-6
Page Count: 240
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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