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THE WALL

A debut thriller by U.S. News journalist (and former Berlin bureau chief) Marks, who takes us on a wild-goose chase through Eastern Europe during Communism’s last days. Most East Germans may have figured out by 1989 that Honecker’s jig was up, but Western observers—led by the intelligence agencies—remained blissfully unprepared for the storm that broke out that particular November. Army Intelligence officer Nester Cates, stationed in West Berlin, was more surprised than most: Taken aback when the Hungarians open their borders to the West, he is positively stupefied when the East Germans follow suit. It is hard for Cates to share in the general elation, you see, since his friend and fellow officer Stuart Glemmik has gone AWOL just hours before a freak accident(smelling of sabotage)kills a civilian technician at Cates’s post. Glemmik, by virtue of his disappearance, becomes the prime suspect, and Cates is given 24 hours to find him, or face the charges himself. How do you scare up an American who disappears into East Berlin on the precise day that all of East Berlin has gone West? Through your contacts, of course—and if you’re looking for Stuart Glemmik, then try his German girlfriend Uta Silk and his brother Douglas conveniently in town on Stuart’s invitation. Since they are as mystified as Cates by Stuart’s disappearance, the three team up to launch the most hopeless manhunt since Stanley went after Livingstone. Like all good thrillers, this one doesn’t stay in one place very long, and the investigation also gets played out against the elections in Prague and the assassinations in Bucharest. At the end, of course, Cates finds what everyone else discovered at the close of 1989: a new world. Unremarkable as a story, but with good touches of local color. Cold War buffs and glÑsnost groupies will go for it; others may feel left out in the cold.

Pub Date: Sept. 8, 1998

ISBN: 1-57322-122-8

Page Count: 400

Publisher: Riverhead

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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