As Carolina lowcountry native and Charleston cookbook-store owner Taylor indicates in his introduction, the cooking of his native region has been sophisticated since earliest settlement, blessed by an abundance of fish and game (especially birds) and a year-round growing season, and enriched by a world of cultural traditions: Recipes gathered here include ``awendaw'' hominy (grits) cornbread derived from Native Americans; a gumbo that came to South Carolina with the slave trade before Louisiana was settled; a carrot-and-orange salad with ``a North African feel'' that Taylor attributes to the Sephardic Jews in Charleston; a hasenpfeffer from the area's 18th-century German farm community; some rice breads from the 19th-century Carolina rice culture; and versions of the collard greens, squirrel burgoo, biscuits, and other dishes well known throughout the South. Many of these dishes have turned up in other recent southern cookbooks, but Taylor's historical background and stories—and his expert observations (for example, that southern biscuits should be made with soft southern flour) and his local concentration—make this of major interest for serious followers of American regional cooking.
Pub Date: March 16, 1992
ISBN: 0-553-08231-0
Page Count: 352
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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