translated by John Matthews & by Jean-Paul Sartre ‧ RELEASE DATE: March 7, 1975
Sartre, like Camus, has always been concerned with salvation. Both denied God and both were Catholic renegades. But Camus, seeking participation in life and reconciliation with nature, asserted man's right to happiness here and now. For Sartre, given the condition of the world, Camus' philosophy was merely sentimental or inspirational, an example of what he calls "bad faith." It is only by traveling in "the direction of History" that man's destiny can be realized. And for Sartre that meant the socialist future. Between Existentialism and Marxism, a collection of his most recent essays and interviews, emphasizes the dialectical turning point when existential or subjective awareness is heightened by neo-Marxian analysis, when the purely symbolic act enters the arena of real action, when universal values transcend individual consciousness. "How a man comes to politics, how he is caught by them, and how he is made other by them" — this defines Sartre's rocky journey. He tells us that "the Vietnamese are fighting for all men, and the Americans against all men," that "the machine cannot be repaired; the peoples of Eastern Europe must seize hold of it and destroy it," that the "duty of the Left" is to learn "to unite all the exploited to overthrow the old ossified structures" and thus attain the true revolution. In short, another version of the Absolute which Camus, of course, condemned, as tyranny, but which Sartre insists is the only path to freedom. Sartre's brilliance, however, is not to be seen in these cloudy ideological discussions, but rather in the three essays on Kierkegaard, Mallarme, and Tintoretto, striking and original pieces which inflame an otherwise ponderous book. Here he deals with the "quest for purification," the creative man's eternal task, makes concrete ideas which elsewhere are abstract, and in the celebration of Mallarme, in particular, writes with such power that he produces a sort of prose poem.
Pub Date: March 7, 1975
ISBN: 1844672077
Page Count: 302
Publisher: Pantheon
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: March 1, 1975
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by John Matthews ; illustrated by Nick Tankard
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by John Matthews and Caitlín Matthews & illustrated by Tomislav Tomic
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by David Rosenberg ‧ RELEASE DATE: Nov. 1, 1997
Like The Book of J, on which Rosenberg collaborated with Harold Bloom, this is a highly speculative theory about a biblical author—here, of the novella-like section on King David in 2 Samuel—plus a very free adaptation of that biblical narrative. Poet and critic Rosenberg hypothesizes that the author of the Davidic narrative was ``S,'' a member of the royal court during the end of the tenth century b.c., a ``companion'' of J's and also an ``aboriginal'' who was revising the poems and narrative of an earlier Canaanite culture. The problem is that Rosenberg never specifies what the aboriginal culture consisted of or how it interacted with the civilizations that migrated to Canaan. For that matter, he provides not a shred of evidence for his thesis from Hebrew or other ancient Middle Eastern texts. Further, his perspective on David's character and relationships is highly romanticized, utterly distorting the text, as in the claim that ``David and Bathsheva demonstrate an intimacy based on equality.'' Really? The biblical narrative plainly states that David lusts after Bathsheva, has her brought by his men to his court, and arranges for her husband to be killed so that he may possess her. As for Rosenberg's poetic and prose adaptations, they too often are clumsy, as in his rendering of 2 Samuel 13:2: ``Amnon is sick with a mess of feelings for his sister Tamar—she is a virgin besides- -and it is a forbidding task to imagine what to do with her.'' Finally, there is a long, tiresome, and often esoteric appendix, mainly written by Rhonda Rosenberg (the author's wife), condemning such biblical scholars as Richard Friedman and Robert Alter. Both Rosenbergs are so focused on pseudo-scholarly speculation, creative flights of fancy, and polemics, that for pages on end they almost entirely lose contact with the beguiling, ever-contemporary narrative that the author of the David story, whoever he was, offers.
Pub Date: Nov. 1, 1997
ISBN: 0-517-70800-0
Page Count: 288
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
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edited by David Rosenberg
by Thomas Ligotti ‧ RELEASE DATE: Oct. 2, 2018
For Ligotti fans and fellow pessimists, here’s affirmation that “their only respite is in the balm of bleakness.”
A writer of supernatural horror stories illuminates the darkest horror of all in this nonfiction affirmation of negativity.
An award-winning cult favorite, Ligotti (The Spectral Link, 2014, etc.) doesn’t write horror simply to scare readers. On the basis of this unsettling tract—which draws from philosophy, metaphysics, neuroscience, literature, and literary criticism—his horror fiction proceeds from a deep belief that existence itself is a horror show and that procreation is at best an illusion and at worst a crime against humanity. The author’s viewpoint is uncompromisingly bleak; he finds seemingly kindred spirits such as Nietzsche to be a little too sunny. “Existence,” writes Ligotti, “is a condition with no redeeming qualities.” He understands that most philosophers and readers will disagree with him and that his position that life has no meaning is impossible to prove, just as anyone claiming to have discovered the meaning of life is suspect. Yet he sticks to his guns throughout. Life is suffering, and “human suffering will remain insoluble as long as human beings exist.” And the sooner human beings cease to exist, the better. But why does he write this, and what is the “conspiracy” of the title? It all stems from the self-knowledge that we do our best not to acknowledge: the fact that we alone of all living creatures know that we are going to die. As with Eve’s apple or the snake in the Garden of Eden, “human existence [is] a tragedy that need not have been were it not for the intervention in our lives of a single, calamitous event: the evolution of consciousness—parent of all horrors.” In other words, we act as if we lack “the knowledge of a race of beings that is only passing through this shoddy cosmos.” Originally published in 2010, this reissue includes a new preface.
For Ligotti fans and fellow pessimists, here’s affirmation that “their only respite is in the balm of bleakness.”Pub Date: Oct. 2, 2018
ISBN: 978-0-14-313314-8
Page Count: 272
Publisher: Penguin
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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