by John Matthews ‧ RELEASE DATE: May 1, 2003
Well translated into fluid (not pedestrian) modern English: nice variations on a familiar theme.
A kind of Arthurian apocrypha, as medieval folklorist and scholar Matthews (The Bardic Sourcebook, not reviewed) collects more than two dozen “forgotten tales” of King Arthur and his knights.
Camelot groupies everywhere will welcome this rich lode of Arthurian ore, which will go some way toward slaking their inexhaustible thirst for more episodes in the Round Table saga. All the usual characters are here—beginning, of course, with Arthur, Merlin, Guinevere, and Lancelot—and the author has also dug up tales of more tangentially related figures such as Trystan and Ysolt. In his introduction, Matthews points out that the roots of the legends grow out of the fertile soil of Celtic mythology, and the first section of this volume (“Celtic Tales”) concentrates on stories in this vein; these are the earliest sagas, many (“The Story of the Crop-Eared Dog”) written in Irish, and they’re filled with wild imagery of fantastic beasts and stirring accounts of colossal battles reminiscent of the Norse epics. The stories of the middle section (“Tales of Gawain”) focus more on King Arthur’s nephew Sir Gawain, considered in the Middle Ages the model of knightly virtue, and these stand as representative of the literary traditions of courtly love and chivalry that came to England through the arrival of the Normans in the 11th century. The later tales (“The Medieval Legacy”) are richer in the Christian symbols and allegories that we have come to associate with the legends since their revival in the 19th century.
Well translated into fluid (not pedestrian) modern English: nice variations on a familiar theme.Pub Date: May 1, 2003
ISBN: 1-84333-612-X
Page Count: 416
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2003
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translated by John Matthews & by Jean-Paul Sartre
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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