translated by John Matthews & by Jean-Paul Sartre ‧ RELEASE DATE: March 7, 1975
Sartre, like Camus, has always been concerned with salvation. Both denied God and both were Catholic renegades. But Camus, seeking participation in life and reconciliation with nature, asserted man's right to happiness here and now. For Sartre, given the condition of the world, Camus' philosophy was merely sentimental or inspirational, an example of what he calls "bad faith." It is only by traveling in "the direction of History" that man's destiny can be realized. And for Sartre that meant the socialist future. Between Existentialism and Marxism, a collection of his most recent essays and interviews, emphasizes the dialectical turning point when existential or subjective awareness is heightened by neo-Marxian analysis, when the purely symbolic act enters the arena of real action, when universal values transcend individual consciousness. "How a man comes to politics, how he is caught by them, and how he is made other by them" — this defines Sartre's rocky journey. He tells us that "the Vietnamese are fighting for all men, and the Americans against all men," that "the machine cannot be repaired; the peoples of Eastern Europe must seize hold of it and destroy it," that the "duty of the Left" is to learn "to unite all the exploited to overthrow the old ossified structures" and thus attain the true revolution. In short, another version of the Absolute which Camus, of course, condemned, as tyranny, but which Sartre insists is the only path to freedom. Sartre's brilliance, however, is not to be seen in these cloudy ideological discussions, but rather in the three essays on Kierkegaard, Mallarme, and Tintoretto, striking and original pieces which inflame an otherwise ponderous book. Here he deals with the "quest for purification," the creative man's eternal task, makes concrete ideas which elsewhere are abstract, and in the celebration of Mallarme, in particular, writes with such power that he produces a sort of prose poem.
Pub Date: March 7, 1975
ISBN: 1844672077
Page Count: 302
Publisher: Pantheon
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: March 1, 1975
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by John Matthews ; illustrated by Nick Tankard
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by John Matthews and Caitlín Matthews & illustrated by Tomislav Tomic
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by Annie Dillard ‧ RELEASE DATE: March 13, 1974
This is our life, these are our lighted seasons, and then we die. . . . In the meantime, in between time, we can see. . . we can work at making sense of (what) we see. . . to discover where we so incontrovertibly are. It's common sense; when you-move in, you try to learn the neighborhood." Dillard's "neighborhood" is hilly Virginia country where she lived alone, but essentially it is all those "shreds of creation" with which every human is surrounded, which she is trying to learn, to know — from finite variations to infinite possibilities of being and meaning. A tall order and Dillard doesn't quite fill it. She is too impatient to get about the soul's adventures to stay long with an egg-laying grasshopper, or other bits of flora and fauna, and her snatches from physics and biological/metaphysical studies are this side of frivolous. However, Ms. Dillard has a great deal going for her — in spite of some repetition of words and concepts, her prose is bright, fresh and occasionally emulates (not imitates) the Walden Master in a contemporary context: "Trees. . . extend impressively in both directions, . . . shearing rock and fanning air, doing their real business just out of reach." She has set herself no less a task than understanding emotionally, spiritually and intellectually the force of the creative extravagance of the universe in all its beauty and horhor ("There is a terrible innocence in the benumbed world of the lower animals, reducing life to a universal chomp.") Experience can be focused, and awareness sharpened, by a kind of meditative high. Thus this becomes somewhat exhausting reading, if taken in toto, but even if Dillard's reach exceeds her grasp, her sights are leagues higher than that of Anne Morrow Lindbergh's Gift from the Sea, regretfully (re her sex), the inevitable comparison.
Pub Date: March 13, 1974
ISBN: 0061233323
Page Count: -
Publisher: Harper's Magazine Press
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: March 1, 1974
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by Charles Pellegrino ‧ RELEASE DATE: Sept. 1, 1994
In the latest leg of an idiosyncratic intellectual journey, Pellegrino looks at the stories of the Old Testament through the lenses of genetics, paleontology, and archaeology. Pellegrino (Unearthing Atlantis, 1990, etc.) has an autodidact's omnivorous curiosity to match his high-flying imagination. In this new hodgepodge, he expands on the speculations he put forward in his previous expedition into antiquity, in which he hypothesized that the volcano-buried Minoan city of Thera was the inspiration for the legendary Atlantis. Here he conjectures that when an eruption in the second millennium b.c. obliterated the Minoan civilization, its long-distance effects may have been responsible for the plagues of Egypt and the Aegean diaspora that brought the Philistines to Canaan. He also annexes other theories having to do with the contentious ``Mitochondrial Eve'' hypothesis (based on mitochondrial DNA research, it theorizes that genetic the mother of us all lived between 250,000 and 140,000 b.c.) and the Ark of the Covenant's wanderings. Using diverse scientific sources and historical perspectives—Sumerian clay tablets, Egyptian steles, the writings of Herodotus, and, naturally, the Bible—he ``telescopes'' anthropological and archaeological theories to fit Biblical myths like those of Noah and Nimrod, compressing patterns of history into oral tradition's legends. With a natural sense of storytelling, he blends theories of antiquity with the adventures of field work: He is best describing the modern difficulties of conducting digs in Gaza, Jericho, and Iraq (where he radically situates the Biblical Cities of the Plain destroyed by God's wrath). There is, however, a good deal of padding by this accidental archaeologist: reconstructed dialogue, digression, repetition, and flights of fancy that leave solid ground far below. For all its interdisciplinary breadth and originality, this reads like a beery breeze-shooting session with a college prof. (16 pages of b&w drawings, maps, not seen) (Author tour)
Pub Date: Sept. 1, 1994
ISBN: 0-679-40006-0
Page Count: 384
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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