McPhee embarks on a cargo ship to South America, scouting the endangered life of the American Merchant Marine. The masterful essayist (most recently The Control of Nature, 1989, and Rising From the Plains, 1986) follows Andy Chase, second mate, onto the merchant ship Stella Lykes. Andy is among the oversupply of mostly aging sailors forced to spend too much time looking for a ship. From Charleston to Valparaiso, Cartagena, and Callao, these men sail, picking up and unloading cargo by the ton—here, including mattresses, methane, a fire engine, and starving horses. McPhee's sculptured prose sets us out on the water. The momentum of more than forty thousand tons, he writes, is as absolute as the darkness. Into the time-suspended pace of ship life—the meals, the watches—he intercuts geology, history, and navigation, letting 1835 Darwin evoke Chile today. At sea, tension abounds, not simply in the chance of storms (where walls of water can sever a ship), collisions, and pirates (who board the ship at Guayaquil), but in the ulcerated mst eating away the aging hull. Once No. 1 in the world in total ships, with over 2,000, the US Merchant Marine now has fewer than 400. Weighed down by taxes, insurance, and wages, American carriers can't compete with often-subsidized foreigners. (The Russians carry 50 times as much freight.) This loss we feel, watching the command of captain Paul McHenry Washburn, 65, who navigates by dead reckoning and docks a ship the length of Rockefeller Center as if he were closing a drawer. The romance of the Andes back-lighted from the water; the reality of stowaways, 150-degree engine-room heat, and a ship dead in the water—like the Merchant Marine itself: these McPhee captures. This classic sea story, previously published in The New Yorker, also asks why America responds in slow motion to global conditions.
Pub Date: Sept. 1, 1990
ISBN: 0374523193
Page Count: 252
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 12, 2011
Kirkus Reviews Issue: Aug. 15, 1990
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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