A generally well-written narrative covering the less-frequently chartered years during which Hemingway first displayed...
Mooers (J.P., 2013, etc.) returns to historical fiction, this time following 19-year-old Ernest Hemingway, who comes home from war and struggles to readjust to life in the civilian world.
Working from a plethora of sources, including some Hemingway anthologies, Mooers reconstructs day-to-day details of the two years between Hemingway’s return to Oak Park, Illinois, after having been seriously injured in World War I, and his departure for Paris, where he would eventually become part of the Left Bank expat crowd of artists and writers. Still in pain from the leg injury he suffered while working as an ambulance driver on the Italian front, he came home with many of the 277 shell fragments embedded in his leg and groin, still “working their way up to the surface.” He also experienced frequent flashback memories of the explosion that almost cost him his life. Today, we might say he had PTSD. On top of this, he received a breakup letter from Agnes von Kurowsky, the nurse who tended to him in Italy and then became his lover. Depressed and rudderless, young Hemingway decided to devote himself primarily to fishing the rivers and streams of Walloon Lake near Petoskey, Michigan, site of their family summer home, christened Windemere by his mother. Encircled by a coterie of devoted friends, among whom he was a star, he regained his confidence (some might say arrogance) and embraced his status as a local war hero and fledgling writer. An adept stylistic chameleon, Mooers often approximates the cadence made famous by his subject. By Mooers’ own admission, there are “parts where I use the actual words spoken, the actual words written, or the actual scene as it happened,” so the text—with help from its 26-title bibliography, sans citations—becomes a sort of treasure hunt for Hemingway devotees looking to uncover the verifiable quotations. For the rest of us, it’s simply a solid story that conveys the uncertainties and the contrasting hubris of a young man wracked by memories of the war while on the cusp of a phenomenal literary career.
A generally well-written narrative covering the less-frequently chartered years during which Hemingway first displayed flashes of the man he’d become.Pub Date: Nov. 13, 2014
ISBN: 978-0988648685
Page Count: 350
Publisher: Riverrun
Review Posted Online: Feb. 27, 2015
Kirkus Reviews Issue: April 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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