Mortimer (Titmuss Regained, 1991, etc.) returns with a neatly plotted, fast-paced entertainment—a mix of suspense and social comedy that disturbs stereotypes by pitting an overly zealous muckraking journalist against a sympathetic pillar of the Establishment. Narrator Philip Progmire is an amiable, passive fellow who didn't choose to be an accountant (his father-in-law got him the job at Megapolis Television) any more than he chose his wife Beth (Ophelia to his Hamlet at Oxford). Journalist Dick Dunster is his polar opposite, a hair shirt who despises success and fearlessly pursues the truth, even when it hurts friends and loved ones. He chose Philip as his friend when they were London schoolboys and remained an ``inescapable'' factor in his life until he absconded with Beth, leaving Philip to console himself in middle age with his teenaged daughter and amateur theatricals. There are the makings here of an arresting novel of character, but Mortimer concentrates instead on the suspense that arises when Dunster, writing a series on War Crimes for Megapolis, charges that its chairman, Sir Crispin (Cris) Bellhangar, was responsible for the deaths of women and children when he ordered a church demolished in northern Italy during WW II. Since Philip admires Cris, an unpretentious boss and honorable man, and is convinced that Dunster's allegations are worthless, he surprises himself by standing up to his old nemesis. Dunster is accused of libel; suspense builds with the tracking down of old soldiers and a surprise witness during the trial. The melodramatic denouement is a reminder of the moral complexity of battlefield decisions. The disappointment here is that Mortimer doesn't do much with Dunster, who recedes from view as the plot thickens; still, his latest is just provocative enough to keep readers alert and amused.
Pub Date: Jan. 1, 1993
ISBN: 0-670-84059-9
Page Count: 304
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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